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      Registration -- to join PMO ***UPDATED INSTRUCTIONS***   03/14/2017

      Automatic registration has been disabled. If you would like to join the Poetry Magnum Opus online community, use the "Contact Us" link at the bottom of this page and follow these instructions: 1. Check your email (including your spam folder) in a timely fashion for a reply. 2. After you receive a reply, use the "Sign Up" link at the top right corner of the page to create your account. Do this fast. I've lost my patience with people who use the "Contact Us" link to express interest in joining and then don't bother to check their email for a reply and don't bother to join after registration has been enabled. The queue fills up fast with spammers, and I have to spend my time sifting through the rubbish to delete them. The window of opportunity for joining will be short. I will not have my time wasted. If you don't check your email and you don't bother registering promptly, you will find that registration has been disabled and your future requests to join may go ignored. /s/ Tony ___________________ [Registration will only be enabled for a short while from the time your message is received, so please check your email for a reply and register within 12 hours of using the "Contact Us" link. (Be sure to check your spam folder if you don't see a reply to your message.)]
    • tonyv

      IMPORTANT: re Logging In to PMO ***Attention Members***   03/15/2017

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    • tonyv

      Blogs   05/01/2017

      Blogs are now accessible to Guests. Guests may read and reply to blog entries. We'll see how this works out. If Guest participation becomes troublesome, I'll disable Guest access. Members are encouraged to make use of the PMO Members' Promotional Blog to promote their published works. Simply add your latest entry to the blog. Include relevant information (your name or screen name, poem title, periodical name, hyperlink to the site where published, etc). If you have a lot of them and feel you need your own blog, let me know, and I will try to accommodate you. Members are encouraged to continue also posting their promotional topics in the Promotions forum on the board itself which is better suited for archiving promotions.

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Explore the Craft of Writing
American Verse

Imagism : Simple, direct and intense might be how one would describe an Imagist poem. Imagism is the term used to describe a school of poetry that emerged in England and America around 1912. Ezra Pound is hailed as the founder of the "movement" and H.D. or Hilda Doolittle, Richard Aldington, F.S. Flint, Amy Lowell, James Joyce and William Carlos Williams wrote in the "imagist" doctrine. Imagism was born as a reaction to the "verbose and abstract language in which much of the poetry of the 19th century had declined". NPEOPP.

Ezra Pound describes the poetic image as " that which presents an intellectual and emotional complex in an instant of time." "The image …is a radiant node or cluster; it is what I can, and must perforce call a VORTEX, from which, and through which, and into which, ideas are constantly rushing. An image is real because we know it directly." The imagist poem should… "devise an abstract equivalent of an image, reduced and intensified." NPEOPP. I understand this to mean, a concrete image examined closely speaks of another more abstract image.

To the Imagists the rhythmic unit is not the foot or the line but the strophe, which could be the whole poem. The strophe becomes a circle, a departure and a return.

"the aims of the imagist movement in poetry provide the archetype of a modern creative procedure." Stephen Spender

The movement somewhat lost its momentum during a rift between Pound and Lowell when Pound left the movement he began and referred to it as Amygism. He viewed the practice as too passive.

The defining features of Imagist poetry are:

  1. values clarity, exactness and concreteness in detail. It is "dedicated to writing vivid and precise natural descriptions." Ezra Pound
  2. employs direct treatment of the "thing" whether subjective or objective.
  3. uses absolutely no word that does not contribute to the presentation, no adjective which does not reveal something.
  4. lyrical, composed more in the manner of a musical phrase than free verse.
  5. strives for immediacy of effect and the closest possible association of word and object.
  6. is linked with impressionism.
  7. insists that a poem "show not tell".
  8. attempts to intensify its objective reality.
  9. usually written in 26 words or less.
  10. does not mix the abstract with the concrete.

    Oread  ------ H.D. (Hilda Doolittle 1886-1961)

    Whirl up, sea --
    whirl your pointed pines,
    splash your great pines
    on our rocks,
    hurl your green over us,
    cover us with your pools of fir.

    In a Station of the Metro

    The apparition of these faces in the crowd;
    --------------- Petals on a wet, black bough.
    ------------- ---Ezra Pound (1885-1972)(the second line of Station . . , Pound described as a simile with the "like" suppressed)

    Old houses were scaffolding once
    ----------------------------- and workmen whistling.
                ------------------------- ---T.E Hume (1883-1917)

    Raindrop by Judi Van Gorder

    A bulging tear
    ------ slides
    --------- across a glossy leaf,
    ---------------------------- clings. . .
    --------- to the scalloped edge,
    --------------------------------- falls
    ---------------- to strike
    ----------- a rain-slicked rock.

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