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    I recently finished listening to a "Poetry Podcast," available at the website for The New Yorker, called "How Do You Fact-Check a Poem?" It features a fact-checker for The New Yorker. I wasn't aware that publications had fact-checkers for poetry.
    I do a lot of fact checking whenever I work on a poem. Many of my poems involve geography, and I want to make sure that my geographical references are accurate. Fact checking is important to me, and I want to save myself the embarrassment that would come from getting directions, longitudes and latitudes, weather and seasons, or flora and fauna wrong. For example, in my recent poem "Vintages," I mention that elsewhere, where it is summer, clusters of grapes are growing and await their harvesting. Though I did not expressly declare it in the poem, the speaker is in the Northern Hemisphere where, tonight, the temperature will drop to 20F (-6.6C). However, Argentina is at the height of summer, and the temperature there is currently 99F (37.2C). Yes, grapes are growing right now in the Southern Hemisphere from which the next vintage will yield! I have written other poems where a discrepancy would be even more apparent and it was even more important to me that geographical references made sense. In my poem "Prudhoe Bay," I make reference to the north pole; I refer to it as "ninety degrees north." I had to look into that to make sure that that actually is the coordinate for the north pole, and it is; zero degrees would be the equator. There have been several other instances where it has mattered to me a great deal that my facts, geographical and others, were expressed correctly.
    Then there is the matter of artistic license. Sometimes it is possible to get so bogged down with fact that one loses sight of the art and its message. In my poem "Goodbye," I was dealing with what seemed like chronological inconsistency, and I could not decide on past versus present tense in a part of the poem. An esteemed PMO member, @Benjamin, reminded me that, "Yes I think this poem works fine in the present tense with the chronological issues you stated -- 'it is poetry after all' -- and the appreciative reader still requires the courtesy of having a little imaginative work to do ... " I appreciated this help very much, and it comes to mind whenever I start to get overly bogged down with facts while composing a poem.
    Do you fact check when writing poetry? To what extent?

    Have you composed a self-portrait? Painters and photographers have made extensive use of the genre, and poets have, too, but there's no reason poets shouldn't add more extensively to the realm.
    The self-portrait does not have to be flattering. Many are not. It can be outright disturbing. Gottfried Helnwein, a visual artist that I admire, has created many self-portraits. See them here.
    In the past, galleries have requested artists to donate self-portraits. Have you considered donating a self-portrait to PMO? I'm starting work on my first one, and I'll post the work in progress along with revisions in the forums.
    Here's the link to my first one: Self-Portrait 101

    Welcome to the Poetry Magnum Opus Front Page where I hope to feature quality articles and other content of interest. Start by checking out the Blogs. Visit Tinker's Blog where Judi Van Gorder, the PMO Administrator who has painstakingly built the popular Poetry Magnum Opus REFERENCE SECTION resource, can showcase Reference Section topics of interest and other matters she may deem relevant and desirable to highlight. Also check out the PMO Members' Promotional Blog where PMO members may promote their published works, themselves, and their other artistic pursuits receiving comments from PMO members and non-members alike. Of course, the heart of PMO is and always will be the PMO Forums where members showcase and archive their works and interact with each other. Access these components from the menu bar above.
    Tõnis Veenpere aka tonyv


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