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Found 39 results

  1. Tinker

    Mid Swap

    Explore the Craft of Writing Poetry Invented Forms The Mid-Swap is an invented verse form found at World of Poets and is attributed to Jenny Buzzard of England. The elements of the Mid-Swap are: an 18 line poem made up of 2 quatrains, a couplet, 2 more quatrains in that order. syllabic, lines of 8 syllables each. rhymed, A1abb ccdd A2A1 eeff - ggaA2 composed with 2 refrains. L1 is repeated as L10 and L9 is repeated as L18.
  2. Explore the Craft of Writing Poetry Invented Verse Forms Allitersen (Complex and Rhyming) - Here are some recent invented verse forms from India. Complex Alliterisen is an invented verse form originating in India. Udit Bhatia a student at Delhi Public School first created the form which can be found on-line at Shadow Poetry. It relies heavily on alliteration and carries a variable syllabic meter. The elements of the Complex Allitersen are: a heptastich, a poem in 7 lines. syllabic. The first line of the poem sets up the number of syllables for each subsequent line. L1,L6, and L7 are the same number of syllables. L1= x syllables L2= x + 2 syllables L3= x - 1 syllables L4= x + 1 syllables L5= x - 2 syllables L6= x syllables L7= x syllables alliterated. There must be 2 alliterations in each line. Rhyming Allitersen is also an invented verse form from the same source in India. Rhyme and consistency seem to be the focus of this verse form. The elements of the Rhyming Allitersen are: a heptastich. syllabic. All lines are 7 syllables. rhymed, rhyme scheme aabbccd. composed with one alliteration in each line. Playing Poet by Judi Van Gorder Papers pushed to corner spot without one important thought explored before being stashed leaving checkered checks uncashed. Sharp pencil and ball point pen, ready to write once again with words scratched upon a page.
  3. Explore the Craft of Writing Poetry Invented Forms The Etheree is a popular internet verse form, it can be found mentioned at most sites that provide verse form descriptions. It is a simple progressive syllabic verse. Attributed to American poet Etheree Taylor Armstrong, it can be found at Poetry Base and Shadow Poetry. The elements of the Etheree are: a decastich. (10 line poem) syllabic, 1-2-3-4-5-6-7-8-9-10 syllables per line. unrhymed. focused on 1 idea or subject. Etheree by Judi Van Gorder One subject to explore within ten lines, each avoiding rhyme. Sequential syllables, numbers run from one to ten creating a staircase of words for the expectant reader to climb. A popular verse from the internet. Double Etheree is 2 Etherees back to back making up one poem. The syllable count is 1-2-3-4-5-6-7-8-9-10-10-9-8-7-6-5-4-3-2-1. Reverse Etheree is simply an Etheree turned upside down. The syllable count begins with 10 and sequentially runs thru 1. Twin Etheree is a doubling up on the lines of the Etheree and rhyming the couplets; this was introduced by Robert Crockett and found at Poetry Styles. The elements of the Twin Etheree are: a poem in 20 lines. syllabic, 1-1-2-2-3-3-4-4-5-5-6-6-7-7-8-8-9-9-10-10 syllables per line. rhymed, aabbccddeeffgghhiijj. The Andaree is an invented form similar to the Etheree accept it is always rhymed and it carries a diminishing then increasing syllable count. Created by Andrea Dietrich and found at Writers.com, the first line is repeated as the last line. The elements of the Andaree are: framed in 11 lines syllabic, L1 11 syllable and each line diminishes by 2 syllables until L6 which is only one syllable, then the lines increase by 2 syllables until L11 which is a repeat of L1 rhymed AabbcbcbbaA. composed with L1 repeated as L11. Lucky Charm Cliché it is to say I've lived a charmed life It's two times I've gone under the knife discarding threatening flesh the kind that won't mesh with good health Yes! what a wealth of chances, I'm blessed, taking on my days refreshed knowing that no one lives without strife Cliché it is to say I've lived a charmed life ~~Judi Van Gorder
  4. Tinker

    Margeda

    Explore the Craft of Writing Poetry Invented Forms Margeda is an invented verse form that is an exercise in trochaic meter with head and tail rhyme. It is said to be adaptable to the "elfin, the grotesque, the ironic and to nature poems". ("nature poems" added at the end made me laugh) It is attributed to Edith Thompson and found in Pathways for a Poet by Viola Berg. I have also run into this form at various sites on the internet. The elements of the Margeda are: a quatorzain made up of 7 couplets that does not claim to be a sonnet. metered, written in trochaic tetrameter, the last foot is catalectic (drops the last unstressed syllable) Su/Su/Su/S. rhymed, the lines have both head and tail rhyme in rhyming couplets. a…b a…b c…d c…d e…f e…f g…h g….h i…j i…j k…l k…l m…n m…n Email by Judi Van Gorder Quick communication sketch, pick an address, forward, fetch. Jokes in mass invade my box, folks send long political talks. Photos, dogs and kids and chains, posts still pledging luck or pain, "Send this on! If not you'll die". Ending ads "A deal, must buy! Debt reductions cons abuse, get in touch and read the news. Friendships lost, renewed once more mending wounds ignored before. Now and then a cherished note, Wow! Its those on which I dote.
  5. Tinker

    Cherita

    Explore the Craft of Writing Poetry Invented Forms Cherita (pronounced CHAIR-rita) is a short verse that tells a story. It was created by ai li, UK poet and artist. Cherita is a Malay word for story or tale. It was found at Larry Kimmel.Tripod.com The elements of the Cherita are: a hexastich, a 6 line narrative poem made up of 3 separate strophes. A single line, a couplet and a tercet. syllabic without specific syllables per line. unrhymed. a poem that can be written by 1, 2 or 3 poets. on a courtyard bench scruffy black stray invites a friendly hand bloody sore oozes gore stays the stroke evokes a hiss ~~ Judi Van Gorder
  6. Tinker

    Crystalline

    Explore the Craft of Writing Poetry Invented Forms Haiku Crystalline Verse is a small poem, limited to 17 syllables, whose primary focus appears to be to match the Japanese clarity of image with the English harmony of sound. It was inspired by the Haiku and like the haiku it may be at its best when written in present tense. Any reference that can place the verse in context much like the Japanese kigo (season) or kidai (symbolic seasonal reference) is recommended. The Crystalline employs the kireji (cutting word) of the haiku. The kireji in haiku is a word that "cuts off" one view and turns the reader to a different view. In a longer Japanese poem the kireji is 2 long lines inserted midway in the poem that change the direction of the poem not only in structure but in thought. A stand alone small poem such as the Crystalline emulates the long poem's kireji couplet long line frame and it should "cut" or turn the view from one line to the next. Unlike haiku which observes the image with objectivity and attempts to keep the ego out of the verse, the Crystalline invites the poet's subjectivity and permits the poet's thought and feelings to be communicated through the verse. The verse form was created by American poet Denis Garrison and more information can be found at his site, Short Verse. The elements of the Crystalline are: a complete couplet. It can be a stand alone poem or written in any number of couplets as a longer poem. Like the Renga, a longer poem of Crystalline stanzas can be written by alternating more than one poet. syllabic, 17 syllables. A regular Crystalline is 8-9 or 9-8 syllables per line. An irregular Crystalline is 2 lines totaling 17 syllables and broken where appropriate other than the 8-9/9-8 regular form. written with the English grammatical rules of syntax, caps and punctuation. In other words no all lower case, omitted punctuation, nor incomplete sentences commonly seen in English haiku. Good grammatical English applies. at the poet's discretion, written with poetic devices such as rhyme, onomatopoeia, metaphor, allusion etc. composed with a "cut" or pivot most often between L1 and L2. untitled. The dust of summer covers the shelf where in spring you last left your ring. Judi Van Gorder Crystalline Award Winners
  7. Explore the Craft of Writing Poetry Invented Forms The Diamante or Diamond Poem is a contrast verse form commonly taught in middlegrade classrooms, it can also be found all over the internet in poetry communities such as Shadow Poetry and Poetry Base. It uses the parts of speech as a foundation and in that regard is similar to the Recipe Poem. For the more seasoned poet it can serve as a starting point to inspire other works. The verse is written from the outside in. The first and last lines are nouns that are opposites or antonyms. The interior of the poem expands on the two nouns and at the center joins them in shared likeness. The elements of the Diamante or Diamond Poem are: a heptastich, (7 lines). often a shape poem, the poem when centered on the page creates the outline of a diamond. unmetered. The measure of the line is the words used. L1 - a noun which is the opposite of the noun used in L7 L2 - 2 adjectives that describe L1 L3 - 3 verbs (present participle) that describe what L1 does L4 - 4 nouns that are related to both L1 and L7 or nouns that both have in common L5 - 3 verbs (present participle) that describe what L7 does L6 - 2 adjectives that describe L7 L7 - a noun which is the opposite (antonym) of the noun used in L1 elements ~~ jvg brook clear, cool traveling, bubbling, cleansing earth, sky, wind, nature weighing, resisting, unmoving ancient, hard stone Fire and Ice ---Tony Veenpere Hot fiery, red burns, scalds, hurts men, women, lovers, friends shudder, shiver, shake silent, alone cold. Instant Poetry Forms for Kids
  8. Explore the Craft of Writing Poetry Invented Forms Pathways for the Poet by Viola Berg (1977) is a book for and by educators. Classic poetic forms as well as many invented forms which appear to have been invented as teaching tools or exercizes for use in workshops or classrooms are included. Some of these invented forms I have found in use in internet poetry communities, a testament to their staying power. On this page I include the metric invented forms found there in which appear to be exclusive to the community of educators from whom Ms. Berg drew her support. I have yet to find these in any other source. I have included the syllabic invented forms on a separate page. Whether classroom exercise or sharpening your skill as a writer, some of these forms can be fun to play with. Amaranth is an invented verse form that was probably created as a teaching tool by Viola Gardner. It makes deliberate use of the 9 most common metric feet. Each line is one metric foot, the pattern changing from line to line. The elements of the Amaranth are: 9 line strophe. It is a stand alone poem. metric, the 9 most common metric feet are used in sequence. L1 Spondee SS L2 Iamb uS L3 Pyrrhic uu L4 Dactyl Suu L5 Trochee Su L6 Amphimacer SuS L7 Choriamb SuuS L8 Anapest uuS L9 Amphibrach uSu rhymed at the discretion of the poet, although the metric restrictions are probably enough to contend with in this verse form. On the Cross by Judi Van Gorder Behold! I am without sinfulness. Blameless, innocent guileless, bereft pleasing God forever. Amphion, another 20th century American verse form invented as a teaching tool. It alternates tetrameter lines with dimeter lines, created by Viola Berg. The elements of the Amphion are: a 10 line poem. metered, tetrameter lines alternate with sets of rhymed dimeter couplets. Rhymed, rhyme scheme abbaccdeed. Super Bowl Sunday by Judi Van Gorder A day of football at its end, the bowls of chips and gooey dips. Emotions now are on the mend the ups and downs the fan base clowns. The black and gold have got the win, the players crow, the losers go their loss is carried on the chin. Analogue is a metered invented form that is limited to 3 rhymes. It's source is Rena Ferguson Parks a 20th century poet and educator. The elements of the Analogue are: a 9 line poem. metered, all lines are iambic pentameter. rhymed, rhyme scheme abbaabbcc. Arabesque created by Lucille Evans features head rhyme (rhyme in the beginning of the line) in couplets. The end words rise and fall.The elements of the Arabesque are: stanzaic, written in any number of couplets. metered in pattern but no line length is required. The beginning metric foot of each line is a trochee Su, and the end foot of each line is alternately feminine and masculine. rhymed, head rhyming couplets (rhyme at the beginning of the line). Sample by Judi Van Gorder Aching with a need to be sleeping, making my fingers continue to type. Writing a poem to be an example, fighting fatigue, I can't help but gripe. Arkaham Ballad can be identified by the last line of each stanza being repeated as the first three metric feet of the next stanza. One more invented stanza form appears to be a teaching tool created by Queena Davidson Miller. It is not really a ballad but is suited to relate current events and news articles. The elements of the Arkaham Ballad sre: stanzaic, written in any number of cinquains. accentual syllabic, iambic, L1, L3, L4 tetrameter and L2 and L5 trimeter. rhymed, rhyme scheme xabba xcddc xeffe etc. x being unrhymed. composed with L5 repeated as the 1st three metric feet of L1 of the next stanza. suited to current events and the news. Police Shooting by Judi Van Gorder They say an unarmed man was shot by cops who've run-a-muck. A family man who cut some hair and shaved a face or two. A pair of punks high-jacked a truck. The punks highjacked a truck and he was at the same address, police arrived and shots were fired, the barber hit and soon expired The why of it a guess. The Boutonniere seems to be an exercise in writing in catalectic trochaic meter. In other words, the stress comes first in each metric foot, but the last foot of the line, drops the last unstressed syllable. Trochaic tetrameter would be Su / Su/ Su/ Su. Catalectic trochaic tetrameter would be Su/Su/Su/S. Created by Ann Byrnes Smith. The elements of the Boutonniere are: written in 13 lines. metered, catalectic trochaic tetrameter. Su/Su/Su/S. rhymed, rhyme scheme A¹A² bbcccbddd A¹A². refrained, L1 is repeated as L12 and L2 is repeated as L13. Cali Fire Storm by Judi Van Gorder Running, running, running race, fire in flicking, licking pace. Roar of winds are whirling loud, crack and boom of heated shroud. Giant trees engulfed in flame, grass and houses all the same, human life, a piece of the game. Rushing storm in smoky cloud, choking, burning eyes and skin. Treasures lost, devoured within moments. Time and life a spin. Running, running, running race Fire in flicking, licking pace. The Briolette was invented in the 1950s by Viola Berg. The elements of the Briolette are: stanzaic, can be composed in any number of cinquains made up of a triplet and a rhyming couplet. metric, iambic tetrameter. rhymed, rhyme scheme aaabb cccdd etc. Briolette of India by Judi Van Gorder The Maharajah claimed it cursed the diamond cut to quench a thirst. King Richard, Lion Hearted, erst would take the gem on his crusade, a brilliance which will never fade. Canopus is an invented verse form which stresses a "continuous flow of thought". This is attributed to author Clement Wood of The Complete Rhyming Dictionary and Poet's Craft Book 1936. Canopus is also the 2nd brightest star in Earth's sky, though not visible to anyone living above latitude 37 degrees north of the northern hemisphere. The elements of the Canopus are: a heptastich, a poem in 7 lines. metric, written in iambic pentameter. rhymed, rhyme scheme ababcbc. Caryotte (French - carrot, a root vegetable) is also a verse form which is an exercise in meter and rhyme created by Robert Cary. The short, 2 foot lines with head and tail rhyme seem best suited for a List Poem of sorts. The Caryotte is:Cycle appears to be an exercise in meter and rhyme. This invented verse form was created by Paul Emile Miller. The elements of the Caryotte are: a 12 line poem, made up of 6 couplets. metric, dactylic dimeter with the 2nd foot catalexus (dropping an unstressed syllable.)Suu / Su composed with head and tail rhyme in each couplet. Rhyme scheme a-b a-b c-d c-d e-f e-f g-h g-h i-j i-j k-l k-l. Below, bold=stressed syllable... xx xb axx xb cxx xd cxx xd exx xf exx xf gxx xh gxx xh ixx xj ixx xj kxx xl kxx xl The Cyle appears to be an exercise in meter and rhyme. This invented verse form was created by Paul Emile Miller. The elements of the Cycle are: metric, L1 and L3 tetrameter made up of a trochee followed by a dactyl and 2 iambs; L1 and L3 often use feminine end words. L2 and L4 are iambic trimeter. "Pathways" description and example are in conflict, the description of meter here fits with the example poem. stanzaic, written in 3 quatrains. rhymed, abab cbcb dbdb. The Decannelle was made popular in 1949 when it was published in a poetry magazine. It was created by Joseph Nutter. The odd numbered lines have unrhymed feminine endings, while the even number lines have rhymed masculine endings. The elements of the Decannelle are: a decastich, a poem in 10 lines. metered, trochaic tetrameter, alternating 8-7-8-7-8-7-8-7-8-7 syllables causing the odd numbered lines to end with feminine end words. rhymed, xaxaxaxbxb with the x being unrhymed. Deaf Tones by Judi Van Gorder Beethoven, romantic genius, Maestro plays from deep inside. Music deigned to reign forever fingers flick and stroke then glide over and under the tenor octave tones that flow as if the tide. Swelling sonics soar and pulses race along unsanctified. Never halting ever daunting hearing gone, continued stride. Decathlon (Greek - contest of 10)) is said to be "suited to the fervid, the triumphant", created by Anne Pendleton. An exercise in meter and rhyme. The elements of the Decathlon are: a decastich, a poem in 10 lines. metered, L1, L2, L4, L6,L7 are tetrameter, L3, L5,L8 are dimeter, L9-L10 are pentameter (a heroic couplet. rhymed, axbxaccbdd. X being unrhymed. Decathlon-Invented Form by Judi Van Gorder The fervid and triumphant due, creating frame by predesign. Artistic try to write ten lines into a tome that's something new with book of words that match and rhyme to help me waste way too much time. Now shorten line and finish with iambic rhyming two, heroic couplet read on white in blue. The Dickson Nocturne seems to be an exercise in meter. It was created by Margaret Ball Dickson who at one time was head of Creative Writing at Valparaiso University, Indiana. The elements of the Dickson Nocturne are: strophic, a 12 line poem made up of a tercet, a quatrain and a cinquain. L1,L2, L4, L5, L6, L8, L9, L11 are dactylic trimeter, some catalectic (dropping a syllable at the end) and L3,L7,L10,L12 are iambic dimeter. L3, L7 and L12 are a repeated refrain. The Dionol created by Dion O'Donnell is another exercise in meter. This form employs a rentrament which is the repetition of a phrase from one line as a line elsewhere in the poem. The elements of the Dionol are: an octave with a rentrament as an added line, the last phrase of L2 is repeated as L9. metered, iambic pentameter with L9 iambic trimeter. abcddcbab. xx xx xx xx xa xx xx rr rr rb xx xx xx xx xc xx xx xx xx xd xx xx xx xx xd xx xx xx xx xc xx xx xx xx xb xx xx xx xx xa rr rr rb Dr Stella is a verse using sequential rhyme. It was developed by James Gray in honor of Dr Stella Woodall who was at one time president of the American Poetry League and editor of a couple of poetry magazines. The elements of the Dr Stella are: an octave made up of 2 quatrains. metered, alternating iambic tetrameter and trimeter. rhymed, abcdabcd. L2 and L6 have feminine end words. The Dorsimbra seems to have been a collaborative project. Created in 3 parts by 3 poets, Frieda Dorris, Robert Simonton and Eve Braden.The elements of the Dorsimbra are: a 12 line poem, made up of 3 different framed quatrains. composed with the first quatrain metered, iambic pentameter, the second quatrain, 4 lines of free verse, and the third quatrain blank verse, which is unrhymed iambic pentameter. rhymed, Abab xxxx xxxA. L1 is repeated as the refrain in L12. The Douzet is a verse form with a unique rhyme scheme in the last quatrain. An exercise in meter and rhyme found in Pathways but is attributed to an unknown which Berg found in Clement Wood's Poet's Craft Book 1936, a book I have yet to get my hands on.The elements of the Douzet are: a 12 line poem made up of 3 quatrains. metered, iambic pentameter. abba cddc abcd. The Duni has a complicated metric pattern and includes a pivot or change of thought in L6. Created by Mildred Dewey.The elements of the Duni are: a heptastich, 7 line poem. metered, L1 1 dactyl followed by 2 trochees and an Iamb L2 3 iambs L3 a trochee followed by an anapest and 2 iambs L4 3 iambs L5 3 iambs L6 4 iambs L7 1 iamb, followed by an anapest and an iamb composed with a pivot or change of thought in L6. rhymed, rhyme scheme abcacba. The Fialka is a strophic form with little restriction other than meter. The form was created by Viola Garner 20th century poet and educator. Fialka is Viola in Bohemian. The elements of the Fialka are: strophic, may be written in any number of lines. metric, written in amphibrach (short/long/short) trimeter. unrhymed. Open Blinds by Judi Van Gorder We wake with the warmth of the sunshine that falls without hesitant sureness across our disheveled covers and greets our awakening gently. The Frieze is a verse form that appears to be an exercise in feminine rhyme. Attributed to Olivia Freeman. The elements of the Frieze are: a poem in 9 lines. metered, iambic trimeter. composed with L2, L4, and L8 with feminine ending. rhymed, rhyme scheme abcbacabc. The Gardenia is a verse form that focuses on the amphibrach like the Fialka only in shorter lines. Created by Viola Gardner. The elements of the Gardenia are: a decastich (10 line poem) made up of 5 couplets. metered, amphibraic dimeter (2 amphibrachs) rhymed, aabbccddee. The La Velle is a verse form that combines couplets and triplets and was created by Nel Moldglin.The elements of the La Velle are: a poem in 15 lines, made up of 3 couplets and 3 triplets beginning with a couplet followed by 3 triplets and ending in 2 rhymed couplets. metered at the discretion of the poet. rhymed, each stanza is monorhymed, rhyme scheme aa bbb ccc ddd ee aa. The first and last couplets carry the same rhyme. The Lady's Slipperis a verse form that plays with internal rhyme within a very short line. The tiny poem with the close rhyme lends itself to silliness. It was originated by Viola Gardner The elements of The Lady's Slipper are: a tristich, a poem in 3 lines. metered, iambic trimeter lines. uS-uS-uS. composed with internal rhyme in each line. designed for the last line to leave the reader thinking, questioning. Training Day by Judi Van Gorder Within the open pen a filly kicks and tricks a cowgirl with a curl The Latova which I can only assume it was created by the author Viola Berg. This invented verse form appears to be an exercise in trochaic meter. The elements of the Latova are: a poem in 18 lines made up of 2 9 line stanzas. metered, trochaic tetrameter, the final foot of each line is catalectic. (drop the last unstressed syllable) rhymed, rhyme scheme abbcccbaa deefffedd. The Laurel is another invented verse form created by Viola Berg that switches meter and rhyme between stanzas. The elements of the Laurel are: a poem in 24 lines, made up of 4 sixains. metric, L1, L3, L4, L5 are iambic tetrameter, L2 and L6 are iambic trimeter. rhyme, abcccb adeeed fghhhg fijjji. the trimeter lines are indented. The Louise is a stanzaic form that seems to be an exercise in using feminine and masculine endings. It was created by Viola Berg. The elements of the Louise are: stanzaic, written in any number of quatrains. metered. L1, L2, L3 are pentameter (5 metric feet), L4 is iambic dimeter (2 metric feet) composed with L1 and L3 with feminine (unstressed) endings. rhymed. L2 and L4 rhyme. Rhyme scheme xaxa xbxb etc x being unrhymed. Land Ho! by Judi Van Gorder So long ago, adventure for a sailor, with well supplied, staunch ships Columbus sailed without a means to navigate the water New land they hailed. Lyra Chord is an invented verse form created by L. Ensley Hutton. The elements of the Lyra Chord are: an octastich. metered, L1,L2,L3,L5,L7 & L8 iambic pentameter, L4 & L6 iambic dimeter. rhymed, rhyme scheme abbcacdd. L1 & L5 also have internal rhyme. The Lyrelle is a stanzaic form that seems to be an exercise in metric line length. It was created by Velta Myrtle Allea Sanford. The elements of the Lyrelle are: stanzaic, written in any number of quatrains. metered, iambic. L1 dimeter, L2 trimeter, L3 tetrameter, L4 pentameter. rhymed, rhyme scheme abab Lyrelling by Judi Van Gorder I'm late again I am computer bound the words I write in meter penned, although in truth I do not like the sound. Medallion is an invented verse form is a shape poem using predominantly trochaic meter. This form was created Lilian Mathilda Svenson.The elements of the Medallion are: a poem in 9 lines. metric, L1-L8 are trochaic and L9 is iambic. Syllables per line 4-7-8-7-9-10-9-7-4. As you can tell from the odd numbered syllable count of L2, L4, L5, L7 & L8, these lines are either catalectic or acephaletic (dropping either the end syllable or first syllable from the line). For this form, although it is not so instructed, the example poem is catalectic. rhymed, rhyme scheme xabccbadd. shaped. The poem should be centered on the page. Metric Pyramid is a verse form that builds a pyramid from the top down with lengthening metric feet per line, created by John Milton Smither. The elements of the Metric Pyramid are: a shape poem, center the poem on the page. an octastich, a poem in 8 lines. metric, graduated iambic metric feet in each line. 1-2-3-4-5-6-7-8 metric feet per line. rhymed, rhyme scheme abbaabba. Neville is a verse form with a combination of trimeter and tetrameter lines, created in honor of Mrs. Neville Saylor by James B. Gray. The elements of the Neville are: a heptastich, a poem in 7 lines. metric, L1, L4, & L7 are iambic tetrameter and L2,L3,L5 & L6 are iambic trimeter. rhymed, rhyme scheme abbacca. Macy's Parade Day by Judi Van Gorder At times like these when nights are long and cold becomes a skean that stabs my flesh between my shoulder blades, the wind is strong. I bundle for the chill, wool scarf a codicil, then venture out to join the throng. The Palette creates a vivid word painting within a brief and lyrical poem. It is simply a short poem, using vivid imagery. This genre was specified by Viola Berg. There is no prescribed structure or rhyme. The only mandate is the poem should create a brilliant image in the reader's mind.The defining features of the Palette are: a word painting. framed at the discretion of the poet. Poor Man's Rhododendron by Judi Van Gorder A white blossom rounded with a blush, a hint of pale pink on the soft curve of each lazy petal that spreads wide to catch the sun's kiss. The Quinnette is "designed for the elfin or humorous or for nature themes." (that is the 2nd time I came across this statement in Pathways. ~~smile~~This was created by Ethelyn Miller Hartwich. The elements of the Quinnette are: a decastich made up of 2 quintains. metric, each quintain is written in trochaic tetrameter accept L3 which is trochaic trimeter. rhymed, rhyme scheme aabaaccbcc. The Quintanelle challenges the poet to write a complete sentence and break it into 5 metric lines with rhyme. This stanzaic form was introduced by Lyra Lu Vaile. The elements of the Quintanelle are: stanzaic, written in any number of quintains. metered, L1, L2, L5 pentameter, L3 dimeter and L4 trimeter. Each quintain should be one complete iambic sentence. rhymed, rhyme scheme aabbb, ccddd etc. The Quintette is an invented verse form with an unusually placed refrain. It was created by Fay Lewis Noble.The elements of the Quintette are: a poem in 15 lines made up of 3 quintains. metric, stanza 1 & 3 are iambic pentameter, stanza 2 all lines are iambic, L1,L5 are dimeter and L3 is pentameter and L2,L4 are tetrameter. L1 of the 1st stanza is repeated as L3 of the 2nd stanza and L5 of the 3rd stanza. rhymed, rhyme scheme Ababb acAca dada. The Repete is an invented form similar to the Rondel. It was introduced by Viola Berg. Although it is 14 lines it does not pretend to be a sonnet. The elements of the Repete are: a quatorzain made up of an octave and a sestet. metric, iambic tetrameter. rhymed, turned on only 2 rhymes, rhyme scheme ABababAB ababAB L1 becomes a refrain repeated L7 & L13 and L2 is a refrain repeated in L8 & L14. The Ripple Echo is an invented stanzaic form that "begins and ends its stanzas with rhyming ripple and echo couplets". I am not quite what that means but it sounds fun. What I am sure of is, L2 and L8 of each octave are anapestic mono meter rhyming with the previous line. This form was introduced by L. Ensley Hutton. The elements of the Ripple Echo are: stanzaic, written in any number of octaves, made up of 4 rhymed couplets. metric, L1,L3,L4,L5,L6,L7 are catalectic trochaic tetrameter, L2 & L8 are anapestic monometer. rhymed, rhyme scheme aabbccdd. L2 & L8 are indented. The Rosemary is an invented verse form that uses envelope quatrains. It was introduced by Viola Berg. The elements of the Rosemary are: a poem in 12 lines, made up of a rhymed couplet, 2 envelope quatrains followed by a rhymed couplet. metric, iambic pentameter. rhymed aabccbdeedff. L4,L5 and L8,L9 are indented. The Sacred Signia is an invented verse form is a decastich. Introduced by Viola Berg.The elements of the Sacred Signia are: a decastich, a poem in 10 lines. metric, L1,L3,L5,L7-L10 are iambic pentameter and L2,L4,L6 are iambic dimeter. rhymed, rhyme scheme ababcbccaa. San Hsien (three strings) is another invented verse form in a decastich. It was created by Jessamine Fishback. The elements of the San Hsien are: a decastich, a poem in 10 lines. metric, iambic dimeter. L1 is acephaletic (drops the 1st unstressed syllable). rhyme, rhyme scheme ABbaccabBA. composed with a refrain, L1 & L2 are repeated as L9 & L10 in reverse. Seafonn (Anglo Saxon for seven) is a verse form named for its total number of lines, introduced by Elizabeth Maxwell Phelps .An argument is presented in the first 5 lines and the counter point in the ending couplet. A lot to jam into such a short frame. The elements of the Seafonn are: a heptastich made up of quintain followed by a couplet. metric, iambic tetrameter, with L2 and L5 catalectic. rhymed, abccb aa. Sestennelle is a stanzaic invented form introduced by Lyra LuVaile with a variable meter. The elements of the Sestenelle are: stanzaic, written in any number of sixains made up of 2 tercets. The original is 3 sixains. metric, iambic, L1&L4 a dimeter, L2&L5 are trimeter and L3&L6 are pentameter. rhymed, rhyme scheme aabccb ddeffe gghiih etc. suggested that the lines be centered. Sevenelle is a stanzaic invented form created by Virginia Noble which cannot only be found in "Pathways..." but is also in the Study and Writing of Poetry by Amy Jo Zook and Wauneta Hackleman, 1996. The elements of the Sevenelle are: stanzaic, written in no less than 2 septets, each made up of a rhymed couplet, tercet and couplet in that order. metric, iambic tetrameter. rhymed, aabbbCC ddeeeCC etc. composed with L6&L7 of the first stanza repeated as refrain in the last 2 lines of all subsequent stanzas. Sonnette appears to be an invented attempt to write a half sonnet, introduced by Sherman Ripley. The elements of the Sonnette are: a heptastich, a poem in 7 lines made up of a quatrain followed by a tercet. metric, iambic pentameter. rhymed, abba cbc. The Stellar is an invented stanzaic form framed in octaves and introduced by Viola Berg. The elements of the Stellar are: stanzaic, written in any number of octaves. metric, iambic L1-L4, & L8 are tetrameter, L5 & L6 are catalectic pentameter and L8 is dimeter. rhymed, ababccdd efefgghh etc. because L5 &L6 are catalectic, they have feminine endings. The Trillium is an invented verse form, a pentastich with long and short lines. The elements of the Trillium are: a pentastich, a poem in 5 lines. metric, iambic, L1 & L5 are trimeter and L2 - L4 are catalectic, hexameter. rhymed, abbba. because L2-L4 are catalectic they will have feminine endings. xx xx xa xx xx xx xx xx b xx xx xx xx xx xb xx xx xx xx xx b xx xx xa The Tulip is an invented verse form, a tetrastich with a combination of metric patterns. It was introduced by Viola Gardener. The elements of the Tulip are: a tetrastich, a poem in 4 lines. metric, L1 & L3 are iambic pentameter, L2 dimeter, a spondee followed by an amphibrach and L4 is dimeter, an iamb followed by an amphibrach. rhymed abab. because of the amphibrach foot at the end of L2 & L4 they have feminine endings. Starbucks by Judi Van Gorder The price of java going up and up Good God! Horrendous! The cost of coffee is four bucks a cup. The line, tremendous! The Virelet is an invented variation of the French Virelai and was introduced by Viola Berg. The elements of the Virelet are: stanzaic, written in any number of quatrains. isometric with a stanzaic frame of long/short/long/short lines set by the first stanza. The actual metric length and pattern of the alternate lines is at the discretion of the poet. rhymed, interlocking rhyme abab bcbc cdcd etc. The Wavelet is an invented verse form alternating couplets and tercets and introduced by Marie L. Blanche Adams. The elements of the Wavelet are: poem in 12 lines made up of 3 couplets alternating with 2 tercets. metric, the couplets are catalectic iambic trimeter and the tercets are iambic tetrameter, rhymed, aabcbddeceff. The couplets are feminine rhymed dropping the stressed syllable at the end of the line. Zenith is a stanzaic form with meter and line length left to the discretion of the poet. It was introduced by Viola Berg. The elements of the Zenith are: stanzaic, written in any number of sixains. meter at discretion of poet. rhymed, abcabc defdef etc.
  9. Explore the Craft of Writing Poetry Invented Forms Three Poems In One I have found that there are a few invented forms that attempt to create 3 poems in 1 poem. Each has its own unique approach. The feature these forms have in common is the reader must be in on the pattern or they probably won't get it. Cleave Poetry is a poetic genre in which 3 separate poems are intertwined into one woven poem. "The word cleave is a contranym, a word with 2 opposite meanings: verb 1) split or sever along a natural grain or line. 2) divide; split. verb 1) stick fast to. 2) become strongly involved with or emotionally attached to. " Old English Compact Oxford English Dictionary There seems to be a movement to promote the verse form at Wordpress. The 3 poems are written with meter, rhyme and number of lines at the poet's discretion. The one requirement is to create side by side poems that can be merged into one poem. One of the best examples of this form that I have found is Miracle on the Hudson by Dave Schneider at Writing.com. Here is my poor attempt. cleave, an oxymoron one can split, one can cling divide in half, make a merge the axe sharp, the body soft fuel for war, hug of peace one is two , two are whole ~~Judi Van Gorder Faceted Diamond is a verse form that is probably as complicated to read as to write. It is an invented form found at Poetry Base and was invented by American poet Cory S Sylvester. Like the Cleave and the Trigee there are 3 poems in 1 but unlike the others, the reader may need clues to understand how to read the 3. The elements of the Faceted Diamond are: 3 poems in 15 lines. syllabic, 1-2-3-4-5-6--7-8-7-6-5-4-3-2-1. The even # lines break half way. (Poetry Base suggests the poem could be longer as long as it is an odd number of lines, but I am not going there. You can check with PB if you are curious.) unrhymed. centered on the page. x x -- x x x x x x -- x x x x x x x x x x -- x x x x x x x x x x x x x x -- x x x x x x x x x x x x x x -- x x x x x x x x x x -- x x x x x x -- x x The poem can be read in whole and... A second poem can be read by reading the odd numbered lines and the first half of the even numbered lines and .... A third poem can be read by reading the odd numbered lines and the second half of the even numbered lines. All 3 poems should make sense. Trigee poems can be found on the internet but the description of the genre came from a forum member who encountered it on another poetry forum. It appears to be the same as the Cleave, a nonce verse in which side by side poems merge into one poem. Alliterative Acrostic Trigee takes the concept of 3 poems in 1 to another level. It was presented as a challenge on a poetry forum. A three in one poem (Trigee), alliterated and the first letter of each line spells a word. Number of lines, meter and rhyme at the discretion of the poet. Titan Tall tasks talk to me . . . . . . . ten times over I try in tantamount with the tax . . to temper tradition tame and trip thought. . . . . . .tell a timeless tale and tender a tome . . . . . . .. . .testament of truth not terse nor tentative . . .to be tenable to a tempest ~~Judi Van Gorder
  10. Tinker

    Afflatus or Projacking

    Explore the Craft of Writing Poetry Invented Forms Afflatus and/or Projack Afflatus is defined as "the act of blowing or breathing on" and also "overmastering impulse". As a poetic genre, it is the response to an existing poem by another poet in spirit, construction, theme etc inspiring one's own creation.. Afflatus is taking inspiration from another poem, when using the same structure it is the same as Projacking. Projacking is an exercise in writing learned from a poetry workshop on-line. Basically it means writing a poem using the frame or structure from a published nonce poem written by another. All of the recognized verse forms were "projacked" at one time or another. The very first sonnet was projacked by someone who imitated the sonnet frame using their own words and thoughts. Now there are many variations of sonnets, all because someone imitated or copied the structure of another's poem. I am pretty sure William Carlos Williams, writing the Red Wheelbarrow did not think he was creating a new verse form. But we know from Donald Hall's "How to Read a Poem", the frame of the poem is duplicated in an exercise directed by the text, there must be hundreds maybe thousands of "wheelbarrows" out there somewhere. The "wheelbarrow" isn't in the New Princeton Encyclopedia of Poetry and Poetics or most other verse form books, but it has been projacked and the form is developing a following. So if you see a poem you particularly admire, give projacking a try. You might discover something about writing you didn't know before and it might even remove some inhibitions you may have, it did me. The first poem I chose to projack was homage to my hips by Lucille Clifton. Honestly when I put my own words and thoughts to the frame created by Ms. Clifton I wrote something that I probably would never have written without following her lead. I learned a great deal about writing from this simple exercise. Find a published poem you enjoy. Do a thorough explication of the poem. Study the content, the intent, opening, progression, and conclusion, the poetic devices used, line count and length, stanza separation, figurative speech used, alliteration, assonance, enjambment, caesura, rhyme scheme, etc. What makes this poem special? Imitate the frame or structure of the poem using your own thoughts and words. With your poem, you should recognize the poet and poem that inspired your work. leg-acy by Judi Van Gorder (projacked from homage to my hips by Lucille Clifton) these legs are long legs they need room to stretch and flex. they do not scrunch up into tight quarters, these legs are boundless they won't break stride. these legs have trudged up mountains, they carry the weight of a family they have run the race of survival these legs are strong legs these legs are dancer's legs. i have been known to bare them to draw his eyes and bring him to his knees!
  11. Tinker

    Haiku Wannabees

    Explore the Craft of Writing Poetry Invented Forms Haiku Haiku Wannabees When searching for traditional forms, I have run across several invented forms that attempt to emulate or replace the Haiku. Most often they miss the mark, but some are fun to play with. Cinqku is a 5 line haiku attributed to American poet Denis Garrison found at Poetry Bridge. It particularly explores the use of the line break and retains the maximum syllable count of the haiku. (Note: the haiku is a small poem of 17 syllables or less, the Cinqku is more restrictive with a strict syllable count of 17.) The Cinqku should have a turn or surprise in L4 and L5. The elements of the Cinqku are: a pentastich, a poem in 5 lines. syllabic. A strict syllable count of 2-3-4-6-2 syllables per line. composed with a turn or surprise in L4 or L5. untitled. he saw his life flash before his eyes - her smile and waiting arms took hold ---Mike Monteuil Scattered, fragmented, time spins too fast. in stillness I reclaim myself. ------ Judi Van Gorder Dixdeux, French for ten-two, is illustrated by Anthony Fusco in Caulkins' Handbook on Haiku and Other Form Poems, 1970 . . . It appears to have developed as an alternative to the Haiku. The defining feature is the syllable count. The elements of the Dixdeux are: written in any number of tercets. When written in more than one tercet, L3 becomes a refrain. syllabic, with 10-10-2 syllables per line. is unrhymed. titled, unlike the haiku. Hot Topic by Judi Van Gorder an unopened coke sits in closed up truck outside the summer temperature rises KABOOM! sticky brown liquid spatters upholstery meticulous owner finds mess inside KABOOM! The Haikuette is another seemingly, American answer to the haiku and was introduced by Louise Sipfle in the Caulkins Handbook and included in Berg's Pathways. The defining feature is the absense of verbs. The elements of the Haikuette are: a tristich, a 3 line poem. Each line must be a separate entity, yet must contribute to the whole. syllabic, 17 syllables or less. There is no specified syllable count per line. written without verbs. unrhymed. titled. You by Judi Van Gorder fresh freckled Lily sweet fragrance, pink and spicy your face in the sun The Hay(na)ku or Jánakú is an invented verse form inspired by the haiku that is measured by number of words instead of syllables. It was introduced in 2003 by Eileen Tabios, the then pulisher of Meritage Press. The name Haynaku is the Tagalog equivalent of Oh My God! The elements of the Hay(na)ku are: a tristich, a poem written in 3 lines. measured by number of words, L1 is one word, L2 is two words and L3 is three words. There is no restriction on number of syllables in the words. unrhymed. variable, the line order can be reversed, or the form can be chained to create a series of Haynakus. November. . . golden leaves crunch under foot ------- jvg Fallen . . from tree, three bones broken. --------jvg Canvas. . . paint splash dribbles onto page. ------- jvg one plus two always equals three --------- --Fred Johnson The Kimo is an Israeli version of the haiku, found at Poetry Kaleidoscope. The defining feature is that there should be no movement in the imagery. The elements of the Kimo are: a tristich, a 3 line poem. syllabic 10-7-6 syllables per line. the images should be stationary unrhymed. My Dog Angel by Judi Van Gorder Coffee grounds and egg shells on kitchen floor next to overturned trash pail, Angel sleeping nearby. Lune is an American invented form in 3 lines. It provides 2 options. The lines can either be measured by syllables or words. I found this at Instant Poetry Forms The elements of the Lune are: a poem in 3 lines. measured either by 5-3-5 syllables per line or 5-3-5 words per line. unrhymed. Today I cried tears of regret. I was not enough. ------ ---Judi Van Gorder The Quinzaine is an internet form found at Shadow Poetry and Instant Poetry for Kids, named from the French quinze (fifteen) for the 15 syllables the poem contains. The elements of the Quinzaine are: a tristich, a 3 line poem. syllabic, 7-5-3 syllables per line. unrhymed. composed of: L1 a statement, L2 and L3 questions related to the statement. Keats by Judi Van Gorder Poet writes in present tense. When is verse in time, is now then? Tetractys is an internet form claiming to be "Britain's answer to the haiku." Ray Stebbing at Shadow Poetry. "Tetractys" is defined by its name. The name given by classical Greek mathematician, Euclid, to his contention that the number series 1,2,3,4 has mystical significance because its sum is 10. The elements of the Tetractys are: a pentastich, a complete poem in a 5 lines. syllabic, with a progressive syllable count 1-2-3-4-10 per line. sometimes written as a Double Tetractys(2 quintains), when doubled the syllabic pattern is reversed, 1-2-3-4-10-10-4-3-2-1. sometimes it is stanzaic, written in any number of quintains. when written in multiple stanzas the syllabic pattern is a Mirrored Tetractys syllables per line 1-2-3-4-10 10-4-3-2-1 1-2-3-4-10 10-4-3-2-1 etc…. unrhymed. Sleep dormant renewal. Recovery, under rated necessity of life. Judi Van Gorder The Trilinea, one more haiku copycat from Berg's Pathways for a Poet, created by Nellie Amos. It appears to me to be a simplified 15th century Italian Stornello with a gimmick. The defining feature is the word "rose" must appear somewhere in the 3 lines which seems a bit contrived to me. The elements of the Trilinea are: a tristich, a poem in 3 lines. syllabic, with syllable count per line, 4-8-4. rhymed, L1 and L3 rhyme. composed to include the word "rose". titled. tattoo by Judi Van Gorder teardrops of dew cling to a red velvet rose the touch of you Today by Judi Van Gorder I rose to see a world of possibilities beckoning me. The Triquain, found in Berg's Pathways for the Poet 1977 appears to be an attempt at combining the haiku and Crapsey cinquain. It was created by L. Stanley Cheney and referred to in both the Caulkins' Handbook and Pathways. This form comes a little closer to the purpose of haiku than some other haiku wannabees. There is another invented form also called a Triquain that appeared on the internet about 25 years later written in a syllabic heptastich. The elements of the Triquain found in Pathways are: a tristich, a poem in 3 lines. It is composed in 3 units, L1 introduces the subject, L2 expands and leads into action, L3 is the enlightenment or question. syllabic, with 2-7-7 syllable count per line. Titled, unlike the haiku. stud by Judi Van Gorder newborn leggy colt struggles to stand first of many challenges
  12. Tinker

    Invented Verse Forms

    Explore the Craft of Writing Poetry Invented Verse Form You might say all verse forms were invented. All forms had to begin with a single poem, a creation of composition and content that inspired others to imitate if not the content, the frame or structure of the piece. Traditional verse and stanzaic forms are identified and named over time, but there are forms that were created to be imitated. It has become a phenomenon with the advent of poetic communities on the internet. And even long before the internet, the creation of invented forms was a teaching tool used by educators to help the student to explore many subjects through writing.Many of the Invented forms in this section were found on the internet, mostly at Poetry Base, Poet's Garret, Shadow Poetry, Poetry Styles, All Poetry and Bob Nueman's Vol Central. They are relatively new, many created in the last decade. Also included here are verse forms found in Pathways for a Poet by Viola Berg and The Study and Writing of Poetry; American Women Poets Discuss Their Craft, 1983. Pathways published in 1977 appears to be written for teachers with contributions by teachers. It is surprising how many of the invented forms of Pathways… are found also on the internet sites proving they have some staying power. 7/5 Trochee AL'Arora Alouette Afflatus Alliterative Acrostic Trigee Ameranth Anphion Analogue Arabesque Arkaham Ballad Baccresieze Balance Bina Bio Poem Blitz Brevette Cadence Cameo Canopus Caryotte Cascade Cinkqu Cinq Trois Deca La Rhyme Cinquetun Cherita Circlet Clarity Pyramid Cleave Coin Count Up & Count Down Constanza Cote Cromorna Crystalline Cycle Decannelle Decathlon Decrina Decuain Deten Diamonte or Diamond Poem Diatelle Dickson Dionnol Dixdeux Domino Rhyme Double Etheree Double Five Duo-Rhyme Dr Stella Donna Dorisimbra Double Etheree Dourzet Duodora Duni Epulaeryu Etheree Essence Faceted Diamond Fialka Forget Me Not Frieze Gardenia Haikuette Haiku Wannabees Hautt Hexaduad Inverted Hexaduad HexSonnetta Inverted Refrain Joseph's Star Kerf Kimo La'libertas La'Tuin Lady Slipper Lannet Licentia Rhyme Form Line Messaging Loop Lannet Margeda Mid Swap Mirror Sestet Mirror Tetractys Mirrored Refrain Palette Projacking Quintanelle Quinzain Reverse Etheree Tetractys Trigee Trijan Refrain Trillinea Trio Triquain Tuanortsa Tulip Twenty Six Letters Tyburn Veltanelle Vers Beaucoup Verso-Rhyme Vignette Villonnet Violette Virelet Visual Verse Waltz Wave Wavelet Wheelchair Angel Style Whitney Wrapped Refrain Xenolith ZaniLa Rhyme Zanze Zany ZigZag Five Zenith
  13. Explore the Craft of Writing Poetry invented Forms Mathematics Merges with Verse. I suppose all verse involves mathematics in the measure of the line and length of stanza, but there are a few verse forms that were invented specifically from mathematical concepts. Cadae was found in two forms. The word "cadae" is the alphabetical equivalent of the first five digits of Pi, 3.1415. (I never did understand Pi, how did I survive algebra?) But for you mathematicians this may be a verse form you could have fun with. Both forms are similar in concept with the Fibonacci. The Cadae #1 -I found this form at a site for teachers, the form is a way of introducing the numbers of Pi to children. This verse form uses the first 5 digits of Pi to determine the number of lines in a strophe and the numbers of syllables in the line. The elements of the Cadae #1 are: strophic, written in 5 strophes of fixed but varied length. S1 - 3 lines S2 - 1 line S3 - 4 lines S4 - 1 line S5 - 5 lines syllabic, S1 - 3 syllables per line S2 - 1 syllable in the line S3 - 4 syllables per line S4 - 1 syllable in the line S5 - 5 syllables per line Pi ∆∆∆∆∆ by Judi Van Gorder A circle dissected and measured sliced and diced into pie shaped pieces . . . diameter divides into one whole circumference the answer is Pi . . . pie placed side by side joined at the bottom creates cadae crown. Cadae #2 is a Western experimental movement to merge math and verse. This was found at Wikipedia. It is much more complicated than the children's version above. This form counts strophes, lines and syllables. There is even the option for the truly mathematically inclined to count the letters of the words in sequential order with the numbers or digits of Pi. Pi = 3.1 41592653589793238462643383279502884197 to infinity.. The elements of the Cadae #2 are: Strophic, 5 strophes, each containing the number of lines in sync with the first 5 digits of Pi. S1=3 line, S2=1 line, S3=4 lines, S4=1 line, S5=5 lines. 14 lines all together. Syllabic, 3-1-4-1-5-9-2-6-5-3-5-8-9-7 syllables per line. Unrhymed. Variable: For a Cadae on steroids, the poet could take this a step further and in addition to the strophe, line and syllable count, the number of letters in the words of the poem could also follow the sequential numbers of Pi. The following is a "pumped up" Cadae and employs all of the above features. This poem includes 40 words with the letters in sync with the first 40 digits of Pi=3.141592653589793238462643383279502884197. As long as the strophe, line, syllable and letter count are in sync with the digits of Pi, the word count could vary from poem to poem. Cadaeic Cadae by Rachel Hommel God – a gift I swore mordantly to. . . . . reject daily, but, human toxicity resonates amongst seditious men of war stealing love "aweigh" He abhors . Axis and Ego; fighting was an age-long righteous brawl & my previous exertion bred a chastened warrior. Cadaeic Cadenza (Cadenza is Italian for cadence.) is named for a short story written in 1996 by Mathematician Mike Keith. It is said to be an example of "constrained writing". The number of letters in each word sequentially mimic the first 3825 digits of Pi. In terms of merging poetry with math, in this case "Pi", the poet need only follow the sequential digits of Pi either in word, syllable, or letter count or all of the above. Found at Wikipedia: The parody of Poe's Raven written in Cadae Cadence the letters of the words in the sequence of Pi 3.1415 (author and title) etc. Poe, E. Near a Raven Midnights so dreary, tired and weary, Silently pondering volumes extolling all by-now obsolete lore. During my rather long nap - the weirdest tap! An ominous vibrating sound disturbing my chamber's antedoor." "I ignore" .--- Mike Keith, First stanza of Near a Raven A Raven by Edgar Allen Poe Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door."' Tis some visitor," I muttered, " tapping at my chamber door — Only this, and nothing more." Chronos is another mathematical verse form built around the root of Pi, this time Pi2 or Chronos = 9,8696. I found this verse form created by Bianca at Writing .com The elements of the Chronos iare a pentastich. syllabic, 9-8-6-9-6 syllables per line. The Fib is the brain child of American screenwriter, Gregory Pincus found in his blog at GottaBook in 2006 . The Fib is his solution for the need to write Haiku with a few more syllables. Based on the Fibonacci concept of the sequential numbers 0-1-1-2-3-5-8, It is a hexastich with progressive syllable count and has become very popular on the internet. The elements of the Fib are: a hexastich, a poem in 6 lines syllabic, syllables 1-1-2-3-5-8 Here are a couple of poems by Lucy Lu that demonstrate the Fib, know he is there watching on the other end. My heart quivers at such a thought. Sage said whether white or black, the one that catches the mouse is a good cat. Topnotch! The Fibonacci, , along the same lines as the Fib, the Fibonacci is a movement to write verse utilizing and named for a mathematical concept developed by the 12th century Italian mathematician Leonardo Pisano Fibonacci. The Fibonacci numbers are 0,1,1,2,3,5,8,13, 21 and so on, adding the last 2 numbers to determine the next in line. The form appears to be first used by poets in the 20th century in America and Denmark. It is similar in concept with the Cadae. Unlike the Fib, it is the stanzaic, rather than syllable count, the stanzas progress to correspond with the numeric concept. The elements of the Fibonacci are: stanzaic, written in any number of stanzas in which the number of lines of each stanza increases corresponding with the Fibonacci concept as the poem progresses. rhyme and meter are written at the discretion of poet. Together Forever by Judi Van Gorder Holding hands at sunset Dreams of yesterday lovers side by side. It all begins in love with love timeless touch. Dreams do not anticipate a hospital marathon palsied hands a shoulder leaning heavily a life on hold. Watching you sleep brought pleasure, felt safe. Now I'm left to wonder if you will wake stay with me one more day or will you release me from my vigil? Forever is a long time. Pi-Archimedes is a simpler variation of the Cadae Verse. Named for the Greek mathematician Archimedes, (c. 287 BC – c. 212 BC) who defined Pi. In this verse, the first six digits of Pi are represented by 6 lines and word count per line. Pi = 3.14159 . . (My original source is lost to me and it was recently pointed out that I had incorrectly posted the sequential digits of Pi. I don't know if this was my error or an error from the original source. I have corrected the 6 numbers and the word count for each line to the correct sequence.) The elements of the Pi-Archimedes verse are: a hexastich, a poem in 6 lines. measured by the number of words in each line 3-1-4-1-5-9 to match the numerical sequence of the first six digits of Pi. unrhymed. Pi by Judi Van Gorder Not my thing, numbers. Algebra is an enigma, mud that mucks up my brain. "You use math every day", they say, I try. The Piaku is an invented form that takes its syllable count from the Pi. Created by American Mike Rollins this form may have an infinite number of lines. Found at All Poetry in Lawrencelot’s Blog. The elements of the Piaku are: Is written based on the number Pi = 3.14159 26535 89793 23846 26433 83279 50288 41971 69399 37510 58209 74944 59230 78164 06286 20899 86280 34825 34211 70679 82148 08651 ...on to infinity… with each number representing a line. It is at the poet’s discretion how many lines the piece should include which could go into infinity. One could argue that the poem should begin with a single line followed by any number of quintains, but the original example poem is not broken into stanzas.(more choices for the poet) Syllabic, syllables per line pi=3.14159 26535 89793 23846 26433 83279 50288 41971 69399 37510 58209 74944 59230 78164 06286 20899 86280 34825 34211 70679 82148 08651 ... Unrhymed. (In the following poem I chose to write in quintains and use the first syllable count of 3 for the title. Complex Math by Judi Van Gorder Pi the infinite Pi number without end unequivocal revelation. Unleashed one could spin into the farthest reaches of the mind and never come back. Quaternion is a verse form named for the algebraic equations that were introduced by Irish mathematician Sir William Rowan Hamilton in 1843 which completely oversimplified and probably missing the point entirely are the multiplication of three dimensional imaginary units by four dimensional objects. Now don't expect me to explain that. The verse form is English in origin and found at Poetry Base. The only connection I see between the algebraic concept and the form is they both have a 3 by 4 concept. The form is written in three quatrains with a rhyme scheme that ends with a combination of the rhyme of the first 2 stanzas in the last stanza. The elements of the Quaternion are: a poem in 12 lines made up of 3 quatrains. metered at the discretion of the poet. rhymed, aabb ccdd abcd. Third Dimension by Judi Van Gorder Forgotten in a tight airless attic, a thing that was to prove problematic, a Halloween reflective diorama in reenactment of a psychodrama. The shoebox, webbed and painted black, a tiny coffin's cedar lid drawn back, inside a body stiff in death, an axe imbedded in the head, a final tax. A challenge to create this poematic with ghoulish display in frightful panorama. The sounds with screeching tone, elegiac and words don't always tell the lonely facts. The Binary Tree is an invented verse form that borrows elements from both mathematics and computer science according to its creator Jason A Banico. In computer science the binary tree is like a family tree in which each "node" has 2 "children" or in this verse form a node is represented by a hemistich which is repeated. This 11 line poem is made up of 9 different phrases repeated at least once. The elements of the Binary Tree are: a poem in 11 lines. The first 9 lines are written in hemistiches which includes at least one hemistich or phrase that is repeated elsewhere in the poem. metered at the discretion of the poet, obviously 2 versets, phrases or hemistiches must make up a line. unrhymed. composed with repetition, the first hemistich of L1 is repeated as the second hemistich in L2 and L5 and the first hemistich in L4, the 2nd hemistich of L2 is repeated as the first hemistich of L3 and L7 and the 2nd hemistich of L8. The first hemistich of L2 is repeated as the 2nd hemistich of L4 and the first hemistich of L6. The 2nd hemistich of L3 is repeated as the 2nd hemistich of L7 and the first hemistich of L9, the first hemistich of L5 is repeated as the first hemistich of L10, The 2nd hemistich of L6 is repeated as the 2nd hemistich of L10. The first hemistich of L8 is repeated as the first hemistich of L11 and the 2nd hemistich of L9 is repeated as the 2nd hemistich in L11. L1: a / b L2: c / a L3: b / d L4: a / c L5: e / a L6: c / f L7: b / d L8: g / b L9: d / h L10: e / f L11: g / h Starving by Judi Van Gorder The growl within, empty light, the clock strikes noon, the growl within, empty light, a need to feed the growl within, the clock strikes noon to plug the hole, the growl within the clock strikes noon, the lunch time boon, empty light, the need to feed sit down to eat, empty light a need to feed and fill up soon, to plug the hole, the lunch time boon sit down to eat and fill up soon.
  14. Tinker

    "Borrowed Words"

    Explore the Craft of Writing Poetry Invented Forms Borrowed Words - Throughout the ages, poets have used what surrounds them to create art. The following are some invented forms that fall under the genre that I call "borrowed" poetry. Cento Verse Latin for patchwork, Verse made up of a medley of lines from the work or works of some well known poet. Verse in this genre dates back to ancient Rome. Natures Notes, A Patchwork of Emily Dickinson's World by Judi Van Gorder XXII L2 He did not know I saw XXIV L1 A Narrow fellow in the grass XXV L13 I feel as if the grass were pleased XXVI L3 A green chill upon the heat XXXVII L1 The wind begun to rock the grass XXVII L5 The leaves unhooked themselves from trees XXXIX L7 Write me how many notes there be. Cento by Jan Haag Chance Poetry is verse using "chance methods" like opening a dictionary or any book, close your eyes and put your finger on the page, using the words selected at random for the basis of the poem or drawing words at random from prewritten cards then using those words in the order drawn for the poem's vocabulary. American poets Jackson MacLow and John Cage have been forerunners in this avant garde poetic genre. Any chance method to select the words will do. The Assasination by Donald Justice (1925-2004) (Justice wrote words on cards and drew them randomly to compose this poem.) It begins again, the nocturnal pulse. It courses through the cables laid for it. It mounts to the chandeliers and beats there, hotly. We are too close. Too late, we would move back. We are involved with the surge. Now it bursts. Now it has been announced. Now it is being soaked up by newspapers. Now it is running through the streets. The crowd has it. The woman selling carnations And the man in the straw hat stand with it in their shoes. Here is the red marquee it sheltered under. Here is the ballroom, here The sadly various orchestra led By a single gesture. My arms open. It enters. Look, we are dancing. Dada is a movement beyond verse, it included all artistic endeavors. Initiated in Zurich in 1916 by 2 Romanians, it grew throughout Europe and finally across the ocean to the US. It is rebellion against the established norm. As a verse form, dada is basically taking random words and in the sequence of receipt relating those words as your poem. In my opinion it is much like a "found poem" but with a bit less thought and craft. Basically the instruction in the NPEOPP for writing dada verse is: Take a newspaper article and cut it up and put it in a bag. Then draw the words blindly one by one from the bag. Arrange those words in the sequence they are drawn onto a page to create your poem. "copy conscientiously / the poem will resemble you." It seems to be a collage of words and phrases outside the control of the poet. Erasure Verse is a poem made up of the leftovers after words from a written piece, prose or verse, have been erased. The following is an Erasure poem, made from words leftover from taking an erasure to the description below on the Found Poem. erasure by Judi Van Gorder gathering the environment a snatch Printed collage arrangement to create different things anything poet's larger words. The Flarf is a genre of verse that I am still trying to wrap my brain around. It is an internet dependant form that combines unusual phrases from google searches. Flarfs have been published in Magazines and Anthologies and seem to me to be pretty much nonsense poems but they are an increasingly popular if not contraversial form. My understanding is that the poet snatches phrases from incongruous word searches on google. It has even extended beyond google to searches on twitter, Facebook and other internet driven entities. Try searching for engine and clown together and see what google comes up with. Then snatch phrases from the various sites. This borrowed word form is the brain child of Gary Sullivan who said "I found the word flarf online on a police blotter where some stoner had described marijuana as flarfy," and subsequently came up with the concept to join incongruous words in a google search and then snatch phrases from the results and called it Flarfing. The poem is meant to be edgy, un PC, expose the aweful and in general be unsettling. A Found Poem is the gathering and assembling of grouped words "found" in the environment and incorporating the "found" phrases and words into a larger poetic piece. It is a "snatch of poetry" NPOPP. Printed images or phrases assembled in a literary collage. The lineal arrangement rearranges the phrases to create an entirely different piece. It presents things found in the poet's surroundings such as a news article, a poem, letters, dialogue or anything. The poetry is much larger than the "found lines" that intersperse the poet's words. It was recognized in the 20th century and one of the more prominent series of Found poems is Ezra Pound's Cantos which includes "real" letters between Jefferson and Adams, Papal documents, poems by Cavalcanti, government and bank documents. The form is strophic without prescribed structure. The following is a found poem using snippets of a posted conversation of members of a poetic community. found poetry by Rex Allen Brewer trying history the Dolores River northwest into the valley Lost Canyon road further if you take the highway curious to know who named the river before the padres Escalanté and Dominguez The River of Sorrows a small river one you can get to know Spoem or Spoemetry is verse made from the subject lines of spam e-mail messages. The originator is speculative, since many writers and bloggers have claimed to be responsible. The form seems to have first shown up in 1999 and has been the theme of poetry contests, blogs and journals. A book entitled 'Spam: E-mail Inspired Poems' by Ben Myers was published in 2008 by Blackheath Books Myers claims to have been writing spam poems since 1999. The key is to find the unexpected. The structure can be at the poet's discretion. Slightly different in nature but still borrowing ideas and structure from another verse are: Afflatus Projacking
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