Jump to content
Poetry Magnum Opus

Search the Community

Showing results for tags 'edward taylor'.

More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


There are no results to display.

There are no results to display.


  • Poetry
    • Member Poetry
    • Member Poetry (overflow)
    • Promotions
    • Member Archive
  • Reference Section
    • Tools
    • Explore the Craft of Writing Poetry
    • Misc. Reference Material
  • Special Interest
    • Poetry Playground
    • Workshop
    • PMO Audio
    • World Poetry
  • Prose and Longer Poetic Works
    • The Prose Forum
    • Longer Poetic Works
  • Reading
    • A Poem I Read Today
    • Favorite Poets
  • General
    • General Discussion
    • Literary Discussion
    • Articles
  • Art
    • Art - General Discussion
    • Photography, Drawing, and Painting
  • Welcome
    • Site Welcome, Philosophy, and Rules
  • PMO Community Matters ***MEMBERS ONLY***'s Feature Requests
  • PMO Community Matters ***MEMBERS ONLY***'s Special Requests
  • PMO Community Matters ***MEMBERS ONLY***'s How-to
  • PMO Community Matters ***MEMBERS ONLY***'s Visions for the Site

Find results in...

Find results that contain...

Date Created

  • Start


Last Updated

  • Start


Filter by number of...

Found 1 result

  1. Explore the Craft of Writing American Verse Invented Forms The Bryant describes observations of nature as metaphor for the social and political world around us. This stanzaic projacked form is patterned after To A Water Foul by American poet, William Cullen Bryant 1794- 1878. It was found in Viola Berg's Pathways for the Poet 1977. The elements of the Bryant are: stanzaic, written in any # of quatrains metered, L1,L4 trimeter and L2,L3 are pentameter. Short lines are indented. rhymed, alternating rhymed quatrains, abab cdcd etc a pastoral metaphor A Water Foul by William Cullen Bryant Whither, 'midst falling dew, While glow the heavens with the last steps of day, Far, through their rosy depths, dost thou pursue Thy solitary way? Vainly the fowler's eye Might mark thy distant flight to do thee wrong, As, darkly painted on the crimson sky, Thy figure floats along. Seek'st thou the plashy brink Of weedy lake, or marge of river wide, Or where the rocking billows rise and sink On the chafed ocean side? There is a Power whose care Teaches thy way along that pathless coast,-- The desert and illimitable air,-- Lone wandering, but not lost. All day thy wings have fanned At that far height, the cold thin atmosphere: Yet stoop not, weary, to the welcome land, Though the dark night is near. And soon that toil shall end, Soon shalt thou find a summer home, and rest, And scream among thy fellows; reeds shall bend Soon o'er thy sheltered nest. Thou'rt gone, the abyss of heaven Hath swallowed up thy form; yet, on my heart Deeply hath sunk the lesson thou hast given, And shall not soon depart. He, who, from zone to zone, Guides through the boundless sky thy certain flight, In the long way that I must tread alone, Will lead my steps aright. Nursery by Judi Van Gorder The hornet builds its nest with honeycomb precision, spit in turn is woven into cells, a silken breast to suckle, birth discerned. The Taylor is a projacked form also found in Berg's Pathways For the Poet, patterned from Upon a Spider Catching a Fly by Edward Taylor (1642-1729) who some call the finest colonial poet although his work was not published until 1939. A puritan poet, his poems are lyrical and yet reflect a staunch Calvanist tone. The elements of the Taylor are: stanzaic, written in any number of cinquains. metric, iambic, L1 trimeter, L2 and L4 dimeter, L3 tetrameter, L5 monometer. rhymed or at least near rhymed ababb cdcdd efeff etc. Justice Undone by Judi Van Gorder Upon a Spider Catching a Fly by Edward Taylor Thou sorrow, venom elf. Is this thy play, To spin a web out of thyself To catch a fly? For why? I saw a pettish wasp Fall foul therein, Whom yet thy whorl pins did not clasp Lest he should fling His sting. But as afraid, remote Didst stand here at And with thy little fingers stroke And gently tap His back. Thus gently him didst treat Lest he should pet, And in a froppish waspish heat Should greatly fret Thy net. Whereas the silly fly, Caught by its leg, Thou by the throat took'st hastily And 'hind the head Bite dead. This goes to pot, that not Nature doth call. Strive not above what strength hath got Lest in the brawl Thou fall. This fray seems thus to us: Hell's spider gets His entrails spun to whipcords' thus, And wove to nets And sets, To tangle Adam's race In's stratagems To their destructions, spoiled, made base By venom things, Damned sins. But mighty, gracious Lord, Communicate Thy grace to break the cord; afford Us glory's gate And state. We'll Nightingale sing like, When perched on high In glory's cage, Thy glory, bright, And thankfully, For joy. Word Sonnet Technically this invented form would not qualify as a true sonnet because it is simply 1 word per line, no meter, no pivot. But it does employ three distinct features of the sonnet. It is 14 lines long, rooted in contemplative meditation and initially was rhymed using either the Shakespearean or Italian Sonnet rhyme schemes. The history of the form is an example of how poetic form evolves. From it's roots of single monosyllabic, rhymed words using the Shakespearean Sonnet rhyme scheme in America, and around the same time using the Italian Sonnet rhyme scheme in France, to eliminating rhyme all together and finally evolving to triple and quintuple words with no stanzaic groupings and whatever other variations poets could dream of in between. According to an article, Forplay: An Anthology of Word Sonnets by Seymour Mayne and Christal Steck, the Word Sonnet employing the Shakespearean Sonnet rhyme scheme was first introduced by an American poet Brad Leithauser in 1985, Post-Coitum Tristesse and later included in his anthology of New Formalist poetry, Rebel Angels. Around the same time as the anthology publication in the US, French poet, René Nelli, published his own "Word Sonnets" in Sonnets Monosyllabiques using the Italian Sonnet rhyme scheme. However you want to create the image, a 14 line poem using only 1 word per line is similar to haiku. The elements of the Word Sonnet are: lyrical, inspired by reflective or contemplative meditation a poem in 14 lines. single word lines, initially, monosyllabic words were used but the syllable count is at the discretion of the poet. Variations have used 3 word lines and 5 word lines but personally with that many words, you defeat the focus of the single word usage. initially rhymed, either abba cddc effe gg or ababcdcd efgefg. More often now, unrhymed. Solitary Write chose white rose. Ink penned pink end. One traced scroll. Lone graced soul. ~~jvg
  • Create New...

Important Information

By using this site, you agree to our Guidelines.