Jump to content
Poetry Magnum Opus

Search the Community

Showing results for tags 'spoon river verse'.



More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Blogs

There are no results to display.

There are no results to display.

Forums

  • Poetry
    • Member Poetry
    • Member Poetry (overflow)
    • Promotions
    • Member Archive
  • Reference Section
    • Tools
    • Explore the Craft of Writing Poetry
    • Misc. Reference Material
  • Special Interest
    • Poetry Playground
    • Workshop
    • PMO Audio
    • World Poetry
  • Prose and Longer Poetic Works
    • The Prose Forum
    • Longer Poetic Works
  • Reading
    • A Poem I Read Today
    • Favorite Poets
  • General
    • General Discussion
    • Literary Discussion
    • Articles
  • Art
    • Art - General Discussion
    • Photography, Drawing, and Painting
  • Welcome
    • Site Welcome, Philosophy, and Rules
  • PMO Community Matters ***MEMBERS ONLY***'s Feature Requests
  • PMO Community Matters ***MEMBERS ONLY***'s Special Requests
  • PMO Community Matters ***MEMBERS ONLY***'s How-to
  • PMO Community Matters ***MEMBERS ONLY***'s Visions for the Site

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Found 1 result

  1. Tinker

    Spoon River Verse

    Explore the Craft of Writing American Verse Spoon River Verse is a subgenre of Mask or Persona poetry. The term is inspired by the Spoon River Anthology by Edgar Lee Masters, American Poet (1869-1950). The anthology is a series of poems written as if each poem was being spoken by the dead. The setting is a cemetery in an imaginary western town, Spoon River. The voices make up a 'history' of the town's past residents and their relationships. The Spoon River poem is a poem of voice. The poem speaks from and for a person, not necessarily the poet. The subject, diction and imagery should reflect the character who is speaking through the poem. The elements of the Spoon River Verse are: framed at the discretion of the poet. dramatic. written in the voice of a character of a particular time and place. Usually the voice comes from the grave. The person, the era, the location should all be heard through the words of the poem. Cora Lynn Williams 1834-1849 by Judi Van Gorder Ma'am, 'scuse me Ma'am, you, standin' at that stone. Sorry to bother, but I been tryin' to find my fam'ly, and I need help. Mama told me I'd be honored to marry up with Mr. Williams, he's a fine upstandin' man, an Elder, and Papa says, 'cause of him we only lost one wagon crossin' the Platte... When we got to the Salt Lake he begun right away buildin' a cabin for me and my new sister-wife, Marilda, she's older'n me and is mama to his little girl and two rowdy boys. . I dreamt of havin' a sweet baby of my own, it's a wife's duty, ya know, to bear children, but I never thought it'd hurt so much. I heard Mrs. Griffin, she helps with the birthin', she said somthin' 'bout my baby bein' turned and me so small. I 'member red sticky blood, the sweat, the awful, stabbin' pain and bein' tired, so tired I just had to stop and sleep…… then the cold, so cold it froze my bones. Was that my Mama I heard cryin'? I gotta find my Mama, my baby.... Maybe you could find Mr. Williams for me, he'll know what to do. Here are a few of the ladies from the Spoon River Anthologyby Edgar Lee Masters1915. Ollie Mc Gee Have you seen walking through the village A Man with downcast eyes and haggard face? That is my husban who, by secret cruelty Never to be told, robbed me of my youth and my beauty; Till at last, wrinkled and with yellow teeth, And with broken pride and shameful humility, I sank into the grave. But what think you gnaws at my husband's heart? The face of what I was, the face of what he made me! These are driving him to the place where I lie. In death, therefore, i am avenged. Flossie Cabanis FROM Bindle's opera house in the village To Broadway is a great step. But I tried to take it, my ambition fired When sixteen years of age, Seeing "East Lynne," played here in the village By Ralph Barrett, the coming Romantic actor, who enthralled my soul. True, I trailed back home, a broken failure, When Ralph disappeared in New York, Leaving me alone in the city-- But life broke him also. In all this place of silence There are no kindred spirits. How I wish Duse could stand amid the pathos Of these quiet fields And read these words. Amelia Garrick YES, here I lie close to a stunted rose bush In a forgotten place near the fence Where the thickets from Siever's woods Have crept over, growing sparsely. And you, you are a leader in New York, The wife of a noted millionaire, A name in the society columns, Beautiful, admired, magnified perhaps By the mirage of distance. You have succeeded, I have failed In the eyes of the world. You are alive, I am dead. Yet I know that I vanquished your spirit; And I know that lying here far from you, Unheard of among your great friends In the brilliant world where you move, I am really the unconquerable power over your life That robs it of complete triumph. Minerva Jones I AM Minerva, the village poetess, Hooted at, jeered at by the Yahoos of the street For my heavy body, cock-eye, and rolling walk, And all the more when "Butch" Weldy Captured me after a brutal hunt. He left me to my fate with Doctor Meyers; And I sank into death, growing numb from the feet up, Like one stepping deeper and deeper into a stream of ice. Will some one go to the village newspaper, And gather into a book the verses I wrote?-- I thirsted so for love I hungered so for life!
×
×
  • Create New...

Important Information

By using this site, you agree to our Guidelines.