Jump to content
Poetry Magnum Opus

Search the Community

Showing results for tags 'stretched sonnet'.



More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Blogs

There are no results to display.

There are no results to display.

Forums

  • Poetry
    • Member Poetry
    • Member Poetry (overflow)
    • Promotions
    • Member Archive
  • Reference Section
    • Tools
    • Explore the Craft of Writing Poetry
    • Misc. Reference Material
  • Special Interest
    • Poetry Playground
    • Workshop
    • PMO Audio
    • World Poetry
  • Prose and Longer Poetic Works
    • The Prose Forum
    • Longer Poetic Works
  • Reading
    • A Poem I Read Today
    • Favorite Poets
  • General
    • General Discussion
    • Literary Discussion
    • Articles
  • Art
    • Art - General Discussion
    • Photography, Drawing, and Painting
  • Welcome
    • Site Welcome, Philosophy, and Rules
  • PMO Community Matters ***MEMBERS ONLY***'s Feature Requests
  • PMO Community Matters ***MEMBERS ONLY***'s Special Requests
  • PMO Community Matters ***MEMBERS ONLY***'s How-to
  • PMO Community Matters ***MEMBERS ONLY***'s Visions for the Site

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Found 1 result

  1. Tinker

    Stretched Sonnet

    Explore the Craft of Writing Poetry The Sonnet Sonnet Comparison Chart A Stretched Sonnet is any poem that has the sound and feel of a sonnet but stretches the boundaries of frame and meter. With this definition, you might say all sonnet variations created after the Sicilian Sonnet might loosely be called Stretched Sonnets, but commonly the term Stretched Sonnet refers to poems that are slightly out of sync with the formal guidelines of the sonnet's 14 lines and iambic pentameter yet still have the sound of a lyrical meditation. In Memory of Eva Gore-Booth and Con Markiewicz by William Butler Yeats has been referred to as a Stretched Sonnet. Note the iambic tetrameter and the 20 line strophe followed by a 12 line strophe certainly stretch the boundaries of a traditional sonnet. But the shape of a longer strophe followed by a shorter strophe with a turn or pivot occurring from one to the other and the lyrical, meditative nature of the piece give the poem the feel of a traditional sonnet. The light of evening, Lissadell, Great windows open to the south, Two girls in silk kimonos, both Beautiful, one a gazelle. But a raving autumn shears Blossom from the summer's wreath; The older is condemned to death, Pardoned, drags out lonely years Conspiring among the ignorant. I know not what the younger dreams - Some vague Utopia- and she seems, When withered old and skeleton-gaunt, An image of such politics. Many a time I think to seek One or the other out and speak Of that old Georgian mansion, mix pictures of the mind, recall That table and the talk of youth, Two girls in silk kimonos, both Beautiful, one a gazelle. Dear shadows, now you know it all, All the folly of a fight With a common wrong or right. The innocent and the beautiful Have no enemy but time; Arise and bid me strike a match And strike another till time catch; Should the conflagration climb, Run till all the sages know. We the great gazebo built, They convicted us of guilt; Bid me strike a match and blow.
×
×
  • Create New...

Important Information

By using this site, you agree to our Guidelines.