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  1. (1) 丑奴儿---辛弃疾 少年不识愁滋味, 爱上层楼。 爱上层楼, 赋新词强说愁。 而今识尽愁滋味, 欲说还休。 欲说还休, 却道天凉好个秋。 Chou Nu Er --by Qiji Xin shao nian bu shi chou zi wei ai shang ceng lou ai shang ceng lou wei fu xin ci qiang shuo chou er jin shi jin chou zi wei yu shuo hai xiu yu shuo hai xiu que dao tian liang hao ge qiou Tune:Chou Nu Er By Xin Qiji In my youth I knew little woe Up to a tower I'd like to go Up to a tower I'd like to go For a new poem I forced sorrow Which now I perfectly know But hardly could it be told But hardly could it be told I only say I'm glad the fall is cold ---thanslated by Xiao-zhen(worm) note: Chou Nu Er, the tune pattern also known as Picking Mulberry, or Ugly Slave, under whose rules there cover 44 Chinese characters. revised at Tinker's suggestion on Dec 5.
  2. Tinker

    Ci

    Explore the Craft of Writing Poetry Chinese Verse Ci (pronounced tschi), sometimes referred to as "lyric songs" is a genre of Chinese lyrical verse originally set to music. It has over 800 verse forms of irregular line length, strict rhyme and tonal patterns which are known by song title for which the music itself has been lost. It has been defined as "a song without a tune" and the poetry is meant to be listened to rather than read. In other words, new lyrics were made up to fit the melody and rhythm of the lost songs, these lyrics make up Ci poetry. The poems often appear simply as "To the Tune of (song title) (調寄[詞牌]), ", sometimes the poems include their own title such as "Painting Eyebrows to the Tune of Pouring out Deep Emotions". There are 875 song titles each song title is a different verse form. There are many different poems written "To the Tune of Pouring Out Deep Emotions" following the same set verse form. I could find no record in English defining any of the 875 verse forms. Of course, even if I had, the problem for an English speaker is the tonal patterns are completely lost on us. Although Ci has roots in the Tang Dynasty it came into its own in the Song Dynasty (920-1279). Its Tang roots may explain why Ci continued to touch emotions when poetry of the Song dynasty was developing to appeal more to the intellect through form and wit. Originally the work was erotic but eventually the content became less crude dealing with more mainstream subjects as well as subjects previously never addressed in Chinese poetry. Ci allowed the use of everyday language. The verse forms eventually faded away making room for a form based on more contemporary songs and looser structure, Sanqu poetry (散曲). To the Tune of "Dream Song" I'll never forget sunset at Brook Pavilion--- drunk with beauty, we lost our way. When the ecstasy faded, we turned our boat home, but it was late and we strayed into a place deep with lotus flowers and rowed hard, so hard the whole shore erupted with herons and gulls. ~~Li Quingzhao (1084-1151) Known as China's finest woman poet, master of the ci. from The Anchor Book Chinese Poetry by Tony Barnstone and Chou Ping 采桑子--吕本中 恨君不似江楼月 南北东西 南北东西 只有相随无别离 恨君却似江楼月 暂满还亏 暂满还亏 待得团圆是几时 Tune: Picking Mulberry by Lu Ben Zhong hen jun bu si jiang zhong yue nan bei dong xi nan bei dong xi zhi you xiang sui wu bie li hen jun que si jiang zhong yue zan man huan kui zan man huan kui dai de tuan yuan shi ji shi I wish you were but the moon in the water south and west, north and east south and west, north and east just in my party and not to take your leave I wish you were not the moon in the water who waxes now and then wanes who waxes now and then wanes Till when we will be like the full moon again ----------------- translated by worm(Xiao-zhen) And here is another poem to the Tune of Picking Mulberry, as you can see the structure is the same as the first poem although the subject is very different. I am told the Chinese poem carries the same tonal pattern as well as the stanza frame and rhyme. 丑奴儿---辛弃疾 少年不识愁滋味, 爱上层楼。 爱上层楼, 赋新词强说愁。 而今识尽愁滋味, 欲说还休。 欲说还休, 却道天凉好个秋。 Chou Nu Er --by Qiji Xin ao nian bu shi chou zi wei ai shang ceng lou ai shang ceng lou wei fu xin ci qiang shuo chou er jin shi jin chou zi wei yu shuo hai xiu yu shuo hai xiu que dao tian liang hao ge qiou In my youth I knew little woe Up to a tower I'd like to go Up to a tower I'd like to go For a new poem I forced sorrow Which now I perfectly know But hardly could it be told But hardly could it be told I only say I'm glad the fall is cold -------------thanslated by Xiao-zhen(worm) A few of the 875 ci "song titles" or verse forms. As in a Dream Dream Song Immortal by the River Longing for Qin e New Chrysanthemum Flowers Phoenix Perched on the Parasol Tree Poluomen Son Pouring Out Deep Emotions Rain Hits a Bell Spring in the Tower of Jade
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