Jump to content
Poetry Magnum Opus

Search the Community

Showing results for tags 'greek poetry'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


  • Tinker's Blog
  • PMO Members' Promotional Blog
  • General Discussion Blog


  • Members' Poetry
    • Showcase
    • Showcase (overflow)
    • Workshop
    • Playground
    • Longer Works
    • Promotions
    • Archive
  • Reference Section
    • Tools
    • Explore the Craft of Writing Poetry
    • Misc. Reference Material
  • Special Interest
    • World Poetry
    • PMO Audio
  • Prose
    • The Prose Forum
  • Reading
    • A Poem I Read Today
    • Favorite Poets
  • General
    • General Discussion
    • Literary Discussion
    • Articles
  • Art
    • Art - General Discussion
    • Photography, Drawing, and Painting
  • Welcome
    • Site Welcome, Philosophy, and Rules
  • PMO Community Matters ***MEMBERS ONLY***'s Feature Requests
  • PMO Community Matters ***MEMBERS ONLY***'s Special Requests
  • PMO Community Matters ***MEMBERS ONLY***'s How-to
  • PMO Community Matters ***MEMBERS ONLY***'s Visions for the Site
  • Mostly-Free Exchange of Ideas Club's Topics

Find results in...

Find results that contain...

Date Created

  • Start


Last Updated

  • Start


Filter by number of...

Found 2 results

  1. Tinker

    Classical Hendecameter

    Explore the Craft of Writing Greek Poetry The Classical Hendecameter is one of the 4 classic meters of Aeolic verse from the 8th-6th centuries BC Greek Dark Ages. It was used generously many centuries later by the Engish poet Alfred Lord Tennyson. It is an 11 syllable line written with a trochee followed by a dactyl and 3 trochees in that order. The first and last trochees can be spondees. In Greek, quantitative verse Ls-Lss-Ls-Ls-Ls L= long sound or syllable s= short sound or syllable or LL-Lss-Ls-Ls-LL In English accentual syllabic verse applies Su-Suu-Su-Su-Su S= stressed syllable u= unstressed syllable or SS-Suu-Su-Su-SS Milton Part II Hendecasyllabics -- Alfred Lord Tennyson 1891 O you chorus of indolent reviewers, Irresponsible, indolent reviewers, Look, I come to the test, a tiny poem All composed in a meter of Catullus, All in quantity, careful of my motion, Like the skater on ice that hardly bears him, Lest I fall unawares before the people, Waking laughter in indolent reviewers. Should I flounder awhile without a tumble Thro' this metrification of Catullus, They should speak to me not without a welcome, All that chorus of indolent reviewers. Hard, hard, hard it is, only not to tumble, So fantastical is the dainty meter. Wherefore slight me not wholly, nor believe me Too presumptuous, indolent reviewers. O blatant Magazines, regard me rather - Since I blush to be laud myself a moment - As some rare little rose, a piece of inmost Horticultural art, or half-coquette-like Maiden, not to be greeted unbendingly. For Once, Then Something by Robert Frost Others taunt me with having knelt at well-curbs Always wrong to the light, so never seeing Deeper down in the well than where the water Gives me back in a shining surface picture Me myself in the summer heaven godlike Looking out of a wreath of fern and cloud puffs. Once, when trying with chin against a well-curb, I discerned, as I thought, beyond the picture, Through the picture, a something white, uncertain, Something more of the depths—and then I lost it. Water came to rebuke the too clear water. One drop fell from a fern, and lo, a ripple Shook whatever it was lay there at bottom, Blurred it, blotted it out. What was that whiteness? Truth? A pebble of quartz? For once, then, something.
  2. Tinker

    Greek Verse, the beginning

    Explore the Craft of Writing Poetry Classic Greek Verse The Greeks are the first to study features of how language can be shaped to the special purpose of poetry. They are responsible for recognizing, naming and describing every possible metric foot. They identified and named the various sounds and rhythms in meter such as the iamb and trochee. The earliest written Greek verse comes from the 8th century B.C., but studies date Greek oral patterns back to the Bronze Age 1100 B.C. Aeolic(an ancient Greek dialect) meters were later found in the works of Sappho which dates back to 2000 B.C. The oral traditions of Greek verse evidence a connection with the meters of the Indian Vedas. But it was the development of the alphabet in 8th century B.C. that was the beginning of "literature" as we know it. That single event allowed verse to be fixed in permanent form and handed down through the generations. Ancient, yet familiar names of Homer, Plato, Euripedes, Alceaus, Sappho, and Aeschylus left behind their genius in poetic works. Neath this tall pine, That to the zephyr sways and murmurs low, Mayst thou recline, While near thee cooling waters flow. This flute of mine Shall pipe the softest song it knows to sing, And to thy charmèd eyelids sleep will bring.----------------------------------Plato 427BC-349BC The Greeks measured the line in quantitative verse which focuses on long and short vowel sounds. The language supports falling rhythms more easily than English, therefore, trochaic and dactylic meters tend to dominate Greek works. In English rising rhythms are more prevalent and we usually measure the line in accentual syllabic verse which counts the stress and unstressed vowel sounds. Iambic meters tend to dominate English works. The concepts of poetics as seen by the ancient Greeks are: "ethos, character portrayal, the manifestation of human attitudes, beliefs, aspirations" "a serious public concern, the cornerstone of education and civic life" "a delightful thing, gifted with attributes bordering on enchantment". "divine, inspired by the gods or the Muses" "techne, art, a craft requiring talent, training and practice. " --------------------- New Princeton Encyclopedia of Poetry and Poetics, ----------------------Preminger and Brogan 1993 These concepts are universal to all poetry even today. The defining features of a Classical Greek line ar: a product of ancient times when poetry was written to be sung accompanied by the lyre, the classic definition of lyrical poetry. However, since the scope of Greek poetry includes epic tales of gods and heroes and plays in which characters speak in poetic patterns, Classical Greek poetry can be exhibited in all three major groups of verse, Lyrical, Narrative and Dramatic. written in quantitative verse. Quantitative verse measures long and short vowel sounds. There is much written on the subject, but to over simplify, the concept of long and short vowels do not translate well to English. Probably the closest we can get is measuring stressed and unstressed syllables which warps the original rhythm but brings it into a context the English ear can hear more easily. Greek is not accented. often composed using metaphor or simile. written in line patterns that have become classics. There are multiple meters and forms identified as Classical Greek verse. Here are some of the most common poetic genres, meters and verse forms which originated in Greece and are found in English literature today. Acritic Verse Acrostic Adonic Line Aeolic Ode Aeolic Verse Alcaics Alcmanian Strophe Alcmanic Verse Allegory Alphabestiary amphibrach Amphigory amphimacer Anacreontic Ode Anacreontic Verse anapest Anapestic tetrameter Bestiary Bucolic Choral Ode choriamb Choriambics Line Classical Hexameter Classical Pentameter Complaint dactyl Dactylic Hexameter or heroic hexameter decameter Dithyramb dodecameter Echo Verse Ecologue Elegy Eligiac Couplet Epic Epigram Epitaph Epithalamium Epyllion Glyconic hendecameter Hendecasyllabic Line heptameter hexameter inverted refrain Metaphor monometer nonometer Ode Paean Paeon Parody Pattern Poetry pentameter Pindaric Ode phirach Prothalamium Rhopalics Sapphic Line Sapphic Stanza spondee Stich tetrameter trimeter tribrach trochee
  • Create New...

Important Information

By using this site, you agree to our Guidelines.