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Explore the Craft of Writing Scottish Verse Burns Stanza, also known as the Standard Habbie, Six Line Stave or the Scottish Stanza is a tail-rhyme stanza, meaning the last line of the stanza is short and rhymes with another short line within the stanza. Because of the quick lines, the stanza is not particularly suited to meditation but better suited as a vehicle for social observations. The stanza is pretty much a single sentence which because of the composition of lines, tests the dexterity of the poet. In order to write in this form, it is said the poet should have a "healthy irreverence toward rhyme and diction". E. Stichy George Mason University Scot Poetry. The Burns stanza is a descendant of the Stave and was made popular by 18th century Scot poet, Robert Burns even though it was previously used by another Scot, Habbie Simpson in the early 1600s. The contemporary Scottish poet Douglas Dunn refers to Burn's work as "a triumphant pursuit of an awkward stanza." The form could also be categorized as a variation of the 16th-century Occitan form Rime Couée. The elements of the Burns Stanza are: stanzaic, written in any number of sixains. metered, the standard meter of Scottish poetry is tetrameter. This stanza is most often written with L1, L2, L3, L5 in iambic tetrameter and L4 and L6 in iambic dimeter. Some sources indicated the form to be syllabic, with the long lines being between 8 and 9 syllables and the short lines between 4 and 5 syllables. rhymed, rhyme scheme aaabab cccdcd etc. A true Scottish Standard Habbie, Stuckie by Fraser Mac Requiem for Mac Adoo by Judi Van Gorder Tonight my parrot died a quick and senseless death and I am sick with guilt that I allowed the tick of time to spin ahead of care and play the trick that caused this sin. I had no time to stop the kill, the dog who seemed to have no will or thought of it, with deadly chill, in instant snatch took down the bird, in seconds still without a scratch. No more a watch bird guards my home, her comic antics were just on loan to make me laugh and write a poem of noise and mess and all the rest that sings a tome with love's caress.

Explore the Craft of Writing Poetry The Sonnet Sonnet Comparison Chart English Verse The Shakespearean, English or Elizabethan Sonnet By Shakespeare's time, (his works are believed to date from 1590 through 1613), the sonnet had already been established in English poetry, thanks primarily to Wyatt, Surrey and Spenser William Shakespeare utilized and popularized the sonnet with the declamatory couplet. His popularity springboarded the sonnet to a prominent place in English literature and become the 2nd dominant sonnet form along side the Petrarchan or Italian Sonnet. The Shakespearean Sonnet, sometimes called the English Sonnet or Elizabethan Sonnet, does not use the octave/sestet structure of the Italian Sonnet. It is usually found in three quatrains ending with a rhyming couplet. Although the Italian form often pivots between the octave and the sestet, the Shakespearean Sonnet pivots deeper into the poem, sometime after line 9 or 10. Shakespeare even delayed the pivot until the 13th line in his Sonnet 30. Wherein the Italian sonnet discloses the epiphany of the subject slowly, the Shakespearean Sonnet makes a swift leap to the epiphany at the ending couplet. Shakespeare knew well the sonnet sequence is not a way of telling a story, but exists for the sake of prolonged lyrical meditation. His thoughts, his dreams, his loves all playout in this musical form. The elements of the English or Shakespearean Sonnet are: a quatorzain made up of 3 quatrains and ending in a rhymed couplet. metric, written in iambic pentameter. Sometimes the opening line of the sonnet begins with the first foot, a trochee before the poem falls into a regular iambic pattern. composed with the volta (a non physical gap) or pivot (a shifting or tilting of the main line of thought) deep into the poem, varied but always well after the 2nd quatrain. developed so that each quatrain progresses toward a surprising turn of events in the ending couplet. The epiphany of the poem arrives in a swift leap at the end. rhymed with up to 7 rhymes with a rhyme scheme is abab cdcd efef gg. composed with an ending rhymed couplet which should be declamatory and the defining feature of the sonnet. This couplet is often the loudest, most powerful part of the sonnet. Twelfth Night Sonnet by Judi Van Gorder from Act I Scene IV by William Shakespeare Viola, shipwrecked, pretends to be a boy in the service of Duke Orosini. She falls in love with him. He, thinking her his male servant sends her on an errand to woo the fair Olivia for him. Her response as Shakespeare wrote it is: Viola:"I'll do my best To woo your lady:" Aside Viola says: "yet, a barful strife! Whoe'er I woo, myself would be his wife." Instead of Shakey's response, here is what I think she really said in sonnet form….. In your command I pledge I'll do my best To sing of you as hero, strong and fair and press the thought of you inside her breast that for your love, tis nothing she won't dare On your behalf with ruptured heart I meet To woo Olivia, the lovely lass and lay sweet blossoms at her dainty feet allowing all my hopes and dreams to pass Oh would that you could see beyond my dress No lad am I to tell your ribald jokes, A maid am I who pines for your caress and on your love for her, forever chokes. Alas I find this scene "a barful strife! Whoe'er I woo, myself would be his wife." For Pauline by Judi Van Gorder Again, brand new the acts of life unfold in chaos as her mind is purged and hurled. At every turn she must be watched and told, in vain she tries to comprehend her world. Before, she was a mother, now a child. Routine and care create dramatic masks when eyes look lost where once they probed and smiled. In fright she looks for him, Where's Leigh? She asks. Bewilderment and dread can lead to rage, Where's Leigh? her voice demands, the same refrain. Serenity and ease should come with age still, loyal friends and those she loved remain. The mystery delays instinctive tears while she resides unconscious of our fears. What Holds by A Baez Now for the real deal ..... XVIII. To His Love by William Shakespeare(1564-1616) SHALL I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date; Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd; And every fair from fair sometime declines, By chance, or nature's changing course, untrimm'd. But thy eternal summer shall not fade, Nor lose possession of that fair thou ow'st; Nor shall Death brag thou wanderest in his shade, When in eternal lines to time thou grow'st:— So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee. CXCVIII. "Bright Star! by John Keats(1795-1821) BRIGHT Star! would I were steadfast as thou art— Not in lone splendor hung aloft the night, And watching, with eternal lids apart, Like Nature's patient sleepless Eremite, The moving waters at their priest-like task Of pure ablution round earth's human shores, Or gazing on the new soft fallen mask Of snow upon the mountains and the moors:— No—yet still steadfast, still unchangeable, Pillow'd upon my fair Love's ripening breast To feel for ever its soft fall and swell, Awake for ever in a sweet unrest; Still, still to hear her tender-taken breath, And so live ever,—or else swoon to death. Burns Sonnet is named for Robert Burn's attempts at writing the sonnet form. He used the frame of the English or Shakespearean Sonnet form except, his Scottish burr shines through. Iambic pentameter was not natural to him and was therefore not attempted. The elements of the Burns's Sonnet are: a quatorzain made up of 3 quatrains followed by a couplet. written with lines approximate length, with the rhythm of a Scottish brogue. rhymed abab cdcd efef gg. pivot or volta late in sonnet A Sonnet upon Sonnets by Robert Burns Fourteen, a sonneteer thy praises sings; What magic myst'ries in that number lie! Your hen hath fourteen eggs beneath her wings That fourteen chickens to the roost may fly. Fourteen full pounds the jockey's stone must be; His age fourteen--a horse's prime is past. Fourteen long hours too oft the Bard must fast; Fourteen bright bumpers--bliss he ne'er must see! Before fourteen, a dozen yields the strife; Before fourteen--e'en thirteen's strength is vain. Fourteen good years--a woman gives us life; Fourteen good men--we lose that life again. What lucubrations can be more upon it? Fourteen good measur'd verses make a sonnet. Reversed English Sonnet is simply a Shakespearean or English Sonnet with a reversed order of stanzas and rhyme scheme. aa bcbc dede fgfg "Sonnet Reversed" by Rupert Brooke Hand trembling towards hand; the amazing lights Of heart and eye. They stood on supreme heights. Ah, the delirious weeks of honeymoon! Soon they returned, and, after strange adventures, Settled at Balham by the end of June. Their money was in Can. Pacs. B. Debentures, And in Antofagastas. Still he went Cityward daily; still she did abide At home. And both were really quite content With work and social pleasures. Then they died. They left three children (besides George, who drank): The eldest Jane, who married Mr Bell, William, the head-clerk in the County Bank, And Henry, a stock-broker, doing well. Returning to Italy Caudate Sonnet