Benjamin Posted March 8, 2017 Share Posted March 8, 2017 Out of a past under the stairs He breathes with anonymity Where mystery and madness range From tallow candles to Tesla bulbs The conscience of his human face A hunter's moon with spindrift bows And silver darts that pierce the mind On fields of Mars where countless died-- Still die-- to crowd his universe Where all religion is a foolish Answer to a foolish question And he haunts for a better life Headstone detached-- gathering dust Archaic as Ozymandias Quote Link to comment Share on other sites More sharing options...
Benjamin Posted March 8, 2017 Author Share Posted March 8, 2017 Resurrected from my backburner. Quote Link to comment Share on other sites More sharing options...
tonyv Posted March 8, 2017 Share Posted March 8, 2017 And a worthy throwback piece it is. I loved the mention of Mars, the jab at religion, and the final two lines. This unrhymed sonnet in iambic tetrameter reads like a rhymed piece. I think it's the near rhyme at the end: Headstone detached-- gathering dustArchaic as Ozymandias What an allusion! Tony Quote Here is a link to an index of my works on this site: tonyv's Member Archive topic Link to comment Share on other sites More sharing options...
Benjamin Posted March 9, 2017 Author Share Posted March 9, 2017 Thanks Tony. “The war to end all wars” seems like an ironic precursor when one examines 20th century history from 1919 onward. It may have changed attitudes both spiritual and tangible, yet we remain destructively human. G. Quote Link to comment Share on other sites More sharing options...
David W. Parsley Posted March 11, 2017 Share Posted March 11, 2017 Hi Geoff, I too like the blank tetrameter of the piece, the near-rhyme at the end and in lines 8-9. Pulling on that thread, I admire the starting substitution scansion, it's intonation of breathless introduction that dismisses the need for explanation: . / - - / . / - - / Out of a past under the stairs As if to say, "Hey, it's a ghost. Deal with it." The same movement is used in the penultimate line, preparing the likely term of Tommy's restless search, though even more anonymous than Shelley's figure of furrowed brow. Thanks, - Dave Quote Link to comment Share on other sites More sharing options...
Benjamin Posted March 13, 2017 Author Share Posted March 13, 2017 Hello Dave many thanks for your review and comments which are much appreciated. I took some poetic license with “under the stairs” to present a traditional psychological place of mystery and uncertainty; a hint at the very English phrase: “below stairs” which represents the oppressive class structure of it's day and of “knowing one's station” :-) Geoff. Quote Link to comment Share on other sites More sharing options...
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