eclipse Posted May 24, 2021 Posted May 24, 2021 The night has a Mouth like glass repeating The movements of the Butterfly's wings to Narrate the dreams of Sleepers. The Emporer butterfly Rests on a flower And stone, somewhere a Messiah sits waiting To be born. The brimstone and Adonis Blue-pieces of glass from A cathedral window. The Red admiral treasurer Between river, sky with The currency hidden From man. The wishing well cries For the desire for The beauty of the Swallowtail. Pieris rapae Echoes the last light To enter the eyes of a Man on a cross. The collector Is mining for beauty as He watches the green hairstreak, heaven's Emerald. Quote
David W. Parsley Posted May 26, 2021 Posted May 26, 2021 I appreciate the striking imagery in this one, Barry. But unlike ’End of Days’, for example, this reader’s nerves do not tingle with a suspicion of connection between the disparate juxtapositions that is the distinct stamp of a successful French Symbolist piece. Perhaps the poem tries to net one too many specimens? Might just be me. - David Quote
JoelJosol Posted May 27, 2021 Posted May 27, 2021 The musicality is there. The piece is surreal to me, trying to decipher the glass and the cathedral window and the colors of red, blue and green to fix me into a setting but it is more like a collage where the butterfly and its wings are the common thread. But there is a common symbolism of birth to death by association with the Messiah and the man on a cross too. Quote "Words are not things, and yet they are not non-things either." - Ann Lauterbach
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